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The Ultimate Guide to Year 9 English

November 2, 2021

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1. What’s the Difference Between Year 9 English and Year 7/8 (Junior years)? 2. What Are You Expected To Cover in Year 9? 3. Assessments and Exams 4. How To Prepare for the Assessments and Exams

Did you know that when you finish high school and you decide to apply for a part time job, you’re expected to recite every single essay you’ve ever written word for word? 

Alright, you got me, I’m kidding!

You may be wondering why is the subject English mandatory? What’s the point of it? When am I ever going to apply the skills I’ll learn in English in real life?

Yes, math, science and even humanities subjects may have more apparent skill transfer to careers like medicine, politics and engineering, but the soft skills that many employers are after these days (such as strong communication skills and confident presentation skills) will develop as you continue with your English studies. And yes, if you plan on being a business owner, these skills are all the more important!

Of course, post-high school won’t involve writing essays and responding to essay topics but they help you build your critical thinking, creativity and understanding intentions (why people do what they do).

These skills will be extremely valuable to you regardless of the path you choose to pursue in life.

Let’s get straight into the nitty gritty of things then...

1. What’s the Difference Between Year 9 English and Year 7/8?

Achievement standards in the Victorian Curriculum from Years 7-9 build upon each other, and the skills learnt during the junior years will be expanded on in Year 9.

In Year 7 , students will be introduced to different text structures (novels, opinion pieces, editorials, speeches, etc.) and focus primarily on the audience, purpose and context of using these text structures. 

You would have had the opportunity to: 

• Explain ideas and issues explored in your texts (e.g. happiness, relationships, conflict, etc.)
• Begin looking at the implied meaning of evidence in your texts (this means forming your own interpretation of what you think the author is trying to say through characterising certain characters the way they are, or through the use of certain symbols, quotes, etc.)

The writing standard predominantly draws from: 

• A mixture of your own personal knowledge and experiences 
• Researched sources, such as news articles, reviews, etc.
• Your own analysis of the assigned texts (usually linking your analysis to a prompt)

Building on the grammatical and foundational writing skills taught in primary school, Year 7 students will need to apply them when writing and editing their work.

Year 8 English develops the students' critical thinking a bit more. You would have been expected to: 

• Interpret assigned texts, ' questioning the reliability of sources of ideas and information ' (know that some texts you will come across may be biased and only expose one side of the argument)
• Make judgments about the effectiveness of language choices used by creators 
• Understand how specific and selective choices of language are used by creators for different effects and purposes (be able to explain your reasoning as to how the conventions of language features used by an author enhance their point of view)

Year 9 English takes the previous two years’ worth of skills even further. This year you will be expected to: 

• Analyse the ways in which different ' text structures can be manipulated for effect '
• Evaluate and integrate ideas from your assigned texts to create your own interpretations
• Realise the importance of planning before writing as well as the need for the drafting process in order to produce A+ level work (an introduction to writing will be provided)
• Be exposed to a wider range of forms of text compared to the junior years which are mainly novels and films 
• Extend your lists of vocabulary and techniques

2. What Are You Expected To Cover in Year 9?

One of the most important skills needed in English is being able to write an analytical essay. This entails presenting an argument about your prompt based on your assigned texts. To do this well, you will need to discuss characters, literary features, structure, themes and big ideas .

The point of the analytical essay is for you to demonstrate your ability to analyse the evidence you choose to incorporate into your essay while linking it back to the idea you’re exploring in the body paragraph. One way to approach this is to provide your own interpretation of evidence. 

This will be elaborated on with examples below.

Structure is also just as important as the content when writing an English essay. Most of the time, particularly in Year 9, your teacher will provide you with a specific structure to follow. This tends to include:

• An introduction (100 words)
• 3x body paragraphs (200 words each)
• A conclusion (50-100 words)

The amount of detail you include in each of your paragraphs will increase over the years. Once you reach Year 12, your essay will sit roughly around the 1000 words mark. For now, try to aim to write around 800 words. Just remember that quality always supersedes quantity . Ensure that the 800 words you write have relevance and are not just word vomit on a page.

The Introduction

Think of the introduction as a to-do list. You can always refer back to it to remind yourself of the points you need to cover and it will keep you on track so you don’t sway from the prompt in your essay. Your introduction sets the scene for the reader. All you have to do is introduce your overall stance (contention) and your three main points (arguments) you want to unpack in the essay. In some cases, teachers would also prefer for you to add in an introduction to the text(s) you’re studying and provide some background information or an overview of the text’s social or historical context. 

The Body Paragraph

The most important components of your essay are the body paragraphs. That is where the bulk of your marks will come from - your analysis! Different schools have different acronyms they may follow for their body paragraphs, but the most common one is TEEL. 

• ‍ T opic Sentence
• E xplanation

As you move up into Year 10, 11 and 12, many schools will extend the acronym to TEEEEEL , meaning that you will be expected to expand on the level and depth of your analysis.

Let’s break up TEEL a bit more…

‘T’ - Topic Sentence

Your topic sentence should support your stance (contention). Your contention should answer the prompt or topic, and your arguments (which form the basis for your topic sentences) should provide a reason for your stance . Because of this, your topic sentence should directly answer the prompt. 

Examples of topic sentences include:

• 'Orwell indicates that for goals to be achieved, teamwork and cooperation among everyone involved will be necessary.' - taken from a Text Response Essay based on George Orwell’s Animal Farm
• The author portrays kindness and understanding as key factors that contribute to successful relationships.

‘E’ - Evidence

Most of the time, the evidence you embed into your body paragraphs will be in the form of quotes from the text . High scoring responses will also analyse evidence such as camera angles (film) or narrative conventions (novels).

Embedding quotes doesn’t always come easy to every student. Preferably, the quote you embed into your analysis will be no more than 10 words and no less than 2 words. 

Rules to keep in mind when you incorporate a quote into your writing:

• Avoid using a quote to form the whole sentence. 
• Don’t begin a sentence with a quote
• Single word quotes should rarely be used. They should only appear in your analysis if you’re exploring a unique, big idea that is conveyed by that one word.
• Use square brackets ‘[  ]’ if you want to change up the quote

It would be helpful to embed the quote into context first as this will help when you’re explaining its relevance to the idea you’re exploring in the body paragraph. 

For Example:

Parallels can be drawn to the ways in which the pigs in the farm have the role of organisers 'naturally [fall] upon' them. Here, the pigs are portrayed as 'the cleverest of the animals', suggesting that they are the leaders who make the decisions on behalf of everyone…

- taken from a Text Response Essay based on George Orwell’s Animal Farm

‘E’ - Explanation

Listing all the quotes you can memorise from the text is not going to get you the marks. You need to analyse the quotes you embed and share your interpretation of the meaning they add to the idea you’re exploring. 

Similar to math, where you need to show all the steps to prove that you know how to get the right answer, in English, the ‘explanation’ section is your opportunity to do just that. You need to explain your thought process regarding how you have reached this conclusion or interpretation. 

Can you pinpoint the differences between the low-scoring response and the high-scoring response below?

Low-Scoring Example:

Big Brother’s lack of compassion is evident through its elimination of personal relationships between the Party members. A marriage is always refused 'if the couple concerned gave the impression of being physically attracted to one another'. This means that the institution of marriage has been manipulated to only serve Big Brother.

- taken from LSG’s How To Write A Killer Text Response study guide

High-Scoring Example:

The distortion of family relationships highlights the cruelty of Big Brother’s institution. Children are taught from an early age to be ‘spies’ for Big Brother. The children symbolise the eyes of Big Brother, as they are always watching members for 'any sign of betrayal to the Party'. Ironically, although Winston believes that 'another year, two years, and they (the children) will be watching (the mother) night and day for signs of unorthodox', it is shown soon after that the father, Parsons, is denounced for 'thoughtcrime'. *** Through this condemnation of their own father, the children also symbolise the destruction of family relationships in return for their loyalty to Big Brother. This unnerving vision of a complete disposal of relationships depicts how brutal a totalitarian society can be for its members in that the very fundamentals of human connection, such as love and family, are corrupted .***

- taken from LSG’s How To Write A Killer Text Response study guide*

***The ‘explanation’/analysis is located between the asterisks.

The linking sentence is the last sentence of your body paragraph and it should always ‘link’ back to the main idea you have explored (topic sentence) as well as the prompt. Avoid merely rewording your topic sentence, and a hint to do this well is to refer to the creator’s intent .

• 'Ultimately, the loss and alteration of meaning within marriage and sex demonstrates how brutal a dystopian society can be for individuals, and as Orwell forewarns, can be the destruction of humanity itself.' - taken from LSG’s How To Write A Killer Text Response study guide
• 'Orwell cautions his readers to be wary of societies such as the Big Brother regime by portraying the cruelty of the Party’s actions.' - taken from LSG’s How To Write A Killer Text Response study guide

Check out our video, ' What do year 9s learn in English? ' for a more in depth look at what's expected of you this year!

3. Year 9 Assessments and Exams

In Year 9, this is where you will gain exposure to an array of forms of texts, ranging from creative responses, speeches, analytical essays, film, poetry and persuasive pieces.

Throughout the year, you will study a range of different texts (the ones mentioned above) and the activities and assessment tasks you will receive will be based on these texts. 

Generally, by the end of Year 9, you will have completed: 

• A creative response,
• A persuasive essay (formatted as an opinion piece, editorial, or letter to the editor),
• An oral presentation about a particular issue,
• A film analysis , and/or 
• An analytical essay based on a play, novel or poems

Throughout the year, you may receive different types of classwork, depending on your teacher. These may include:

• Performances
• Group presentations
• Comprehension questions
• Practise essays/paragraphs
• And so much more!

4. How To Prepare for the Assessments and Exams in Year 9?

Practise, practise, practise! 

One of our most common sayings at LSG is 'study smarter, not harder'. This means knowing where your weaknesses lie and doing what you must to improve upon them. Don’t stick to your comfort zone too much - allow yourself to do the unfamiliar enough times to make it familiar. This will also help you build confidence within yourself when you see the progress you make.

Here are a couple of tips for you to help you prepare for any upcoming assessments and exams like an A+ student:

Reading more than your assigned texts can help you improve your spelling, vocabulary and expression when writing! The more you read, the more knowledge you will gain about fluency and structure. I would recommend reading widely. This means not confining your reading to just purely manga, but also newspaper articles, novels, non-fiction texts, etc.

If you want to become an expert on the text you’re studying and stand out from the rest of your classmates when you get to essay writing, read more about your text. This can include reading up on the background of the author who wrote the text, investigating the social, historical and cultural context of the text. Study guides, interviews, reviews and sample high scoring essays around the text are also very helpful resources!

Drafting and Essay Feedback 

Drafting and getting essay feedback is an important cycle to come back to for the remainder of your high school career.

Going back to what I have just said, practise is key to success in English. English is often deemed to be one of the most confusing subjects because many students claim it to be subjective and will often complain that they have no idea what they’re doing. Generally, this isn’t a good sign. We understand that it can be difficult to know whether you’re on the right track or not, but it’s important we don’t just sit there and wonder the whole time. We must also seek feedback from our teachers or tutors about ways we can improve our work. 

Upon receiving feedback from our teachers or tutors, we can’t just stop there. We must also incorporate this feedback into our re-draft or finalised copy of the work. Any questions or confusion must be addressed during this stage so you know exactly what to do next time.

At LSG, we have high-quality tutors who have received the marks you’re after and can walk you through your high school English journey. 

What will we offer you?

• Regular English advice and support (whether that is homework help, essay feedback or if you just want to go the extra mile and get ahead with your English studies)
• A specialised LSG Signature Program that can cater to your goals and help you develop the knowledge and get all the consistent writing practise you need
• Guidance as we work through the necessary writing skills and strategies that will get you the A+ you desire
• Access to exclusive LSG resources that will save you time creating your own notes (planning and writing templates, sample high-scoring essays and so much more!)

If you want more information on why you should pick us, check out our tutoring page . Otherwise, click here to express your interest today!

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This blog was updated on 21/10/2020.

2. Background

4. Chapter 1 Plot and Analysis

7. Sample Essay Topics

8. Essay Topic Breakdown

The Secret River is usually studied in the Australian curriculum under Area of Study 1 - Text Response. For a detailed guide on Text Response, check out our Ultimate Guide to VCE Text Response .

The Secret River is a historical novel telling the story of William Thornhill, a poor Englishman from the early 19th century who was deported and transported to New South Wales, Australia in 1806 for theft. This novel tells the story of Australia's founding and the moral choices made when  Europeans colonised land that was already inhabited by Aboriginal people.

During 18th century to mid 19th century, 162,000 men and women were transported to Australia, with majority from England. These people, known as ‘convicts’, had committed crimes such as larceny and robbery – acts which were considered severe offenses and demanded heavy sentences. In order to deal with the overwhelming masses of criminals, the government exported crowds of convicts to Australia to serve their term as labourers. The reason driving the deportation included an attempt to decrease poverty and crime in England while concurrently developing the British colony in Australia.

Many of the fleets from England were destined for New South Wales, Australia. Those on the fleets included the criminals, marines, and their families. Living in a penal colony, the criminals were employed depending on their various skills: farmer, boatman, servant etc. The settlers were award a ‘ticket of leave’ if they presented good behaviour during labour. This meant that settlers would become emancipists, where they were set free from the government’s sentence and could begin a life for themselves by making their own living. This suited the government’s goal for a successful and thriving colony since it would only be possible if people were to work for themselves, and not under the terrain of the government.

Although Australia was chiefly populated with Indigenous Australians, the first century of colonisation saw a drastic decline in their population. This was due to a clash of desire for the land; the native’s innate protection of their land and the white settlers struggle to declare their right to an area already inhibited by natives – possibly for 40,000 years. The two cultures failed to ever create a peace agreement or compensation and as a result, the frontier was often marked with blood. Overtime, a successful of the British colony meant that white settlement overpowered any possibility of the natives retaining their land. The Secret River’s exploration of this powerful change in Australia’s history is a poignant reflection of the past, and demands attention to the sensitive issue of Australian and native relationship that is still present today.

Set during the early 19th century. Located in London, Sydney and on the Hawkesbury.

Chapter 1: Strangers

The Alexander , a transport ship for convicts has reached New South Wales, Australia after a travelling across the world for majority of the year. William Thornhill, an Englishman convicted to sentence his ‘natural life in the Year of Our Lord eighteen hundred and six’ [pg 3] will serve as a labourer.

During his first night in New South Wales, where their homes are ‘only a flap of bark, a screen of sticks and mud,’ Thornhill digested the new land with its ‘rich dank smells…restless water…no Pole star’; an environment vastly differentiated from England. The unfamiliar situation is overwhelming as ‘he had not cried, not for thirty years….but now his throat was thickening.’ In his despair, Thornhill describes how being sentenced to New South Wales could potentially be worse than dying itself.

Initially, Thornhill believed his tears are clouding his vision since the ‘darkness moved in front of him’ [pg 5]. However, he then realised that a human, ‘as black as the air itself’ stood before him. The unusual appearance of this human struck Thornhill since ‘his skin swallowed the light…[and] eyes were set so deeply into the skull.’ Although clothed, Thornhill ironically felt ‘skinless’ against the other who was completely naked and holding a spear. Thornhill repeatedly demanded that the man ‘be off’, for fear of his family and himself being attacked. Despite his shouting, this only impelled the man to move closer to the point where they almost touched. The ‘black man’ [pg 6] reproduced ‘be off’ in Thornhill’s exact tone. While Thornhill’s fear of this strange human is prominent, he grappled the strength to exert a bold, intrepid veneer, as ‘he was not about to surrender to any naked black man’. When he glanced back to his wife and children however, the man promptly disappeared, leaving only the darkness behind. Thornhill returned to his hut where he laid back down to rest yet ‘every muscle was tensed…the cold moment of finding that unforgiving thing in his flesh.’

Environmental / Landscape conflict

For Thornhill, who has spent a lifetime in England, the confrontation of a new environment evokes a powerful sense of unfamiliarity. The unknown land presents him with various intrapersonal conflicts, one of which is the difference between England and Australian stars. While the physical distance of this new land from Thornhill’s home is demonstrated by the lack of a ‘Pole Star, a friend to guide him on the Thames, [and] no Bear that he had known all his life,’ [pg 4] the unrecognisable stars above Australia only depict a ‘blaze, unreadable, [and] indifferent.’ His conflict demonstrates his physical and emotional distance from Thames, a place he grown up surrounded by compared to Australia, where learning begins from the very basics, as shown when he absorbs the natural landscape around him. The night described as ‘huge and damp, flowing in and bringing with it the sounds of its own life’ [pg 3] highlights how the Australian land is unique, possessing qualities of existence.

Thornhill’s sense of negligence in the vast forest that continues ‘mile after mile’ is illustrated through the imagery of the ‘trees [which] stood tall over him,’ depicting that nature is a powerful and dominant force over the Europeans. While the trees render him insignificant, it also demonstrates his alienation from the environment. The ‘Alexander,’ a common traditional English name, represents an intrusion of the Europeans onto the Australian land, further highlighting the idea that they do not belong on this island.

The Australian land is depicted to be harsh and unforgiving, as highlighted through the imagery of ‘dirt chill...sharp stab...alien stars' [pg 4] This conflict with the brutal landscape, along with the unknown leaves Thornhill apprehensive of what is to come. His feeling that he was ‘nothing more than a flea on the side of some enormous quiet creature’ [pg 4] depicts the Australian land almost like a monster. Additionally, the words ‘restless’ draw to the idea that the land is at discomfort or uneasy to have new inhabitants.

Racial/Cultural conflict

The conflict between two cultures is shown through the initial encounter between Thornhill and an Indigenous Australian. Without any conversation, the tension between the two is clear, merely through their actions in each other’s prescence. Thornhill notes the Aboriginal male’s tattoos, yet regards them as ‘scars’ since he is unaware to their culture. Even before this man, Thornhill is still infused with a sense of nakedness because of his unfamiliarity.  His feeling that ‘every muscle was tensed…the cold moment of finding that unforgiving thing in his flesh’ highlights the tension of his first encounter of an Australian Aboriginal while it also foreshadows a suffering and anguish for his time ahead.

If you'd like to see the all Chapter plots, their analysis, along with important quotes, then have a look at our The Secret River Study Guide .

Conflict with land quotes

“Now it had fetched up at the end of the earth.” [pg 3]

“…this prison whose bars were ten thousand miles of water.” [pg 3]

“foreign darkness” [pg 3]

“…soughing of the forest, mile after mile.” [pg 3]

“He was nothing more than a flea on the side of some enormous quiet creature.” [pg 4]

Thornhill’s inner conflict quotes

“He had not cried, not for thirty years, not since he was a hungry child to young to know that crying did not fill your belly.” [pg 4]

“But every muscle was tensed, anticipating the shock in his neck or his belly, his hand going to the place, the cold moment of finding that unforgiving thing in his flesh.” [pg 6]

Racism quotes

“It took a moment to understand that the stirring was a human, as black as the air itself.” [pg 5]

“Clothed as he was, Thornhill felt skinless as a maggot.” [pg 5]

“This was a kind of madness, as if a dog were to bark in English.” [pg 6]

“He was not about to surrender them to any naked black man.” [pg 6]

Sample Essay Topics

1. William Thornhill is more worthy of our respect than our reprehension. Do you agree?

2. How does Kate Grenville explore hierarchy?

3. How does The Secret River’s symbolism enhance its exploration of alienation?

4. “Fear could slip unnoticed into anger, as if they were one and the same.” The Thornhills’ anger is valid. To what extent do you agree?

Now it's your turn! Give these essay topics a go. For more sample essay topics, head over to our The Secret River Study Guide to practice writing essays using the analysis you've learnt in this blog!

Essay Topic Breakdown

Whenever you get a new essay topic, you can use LSG’s THINK and EXECUTE strategy , a technique to help you write better VCE essays. This essay topic breakdown will focus on the THINK part of the strategy. If you’re unfamiliar with this strategy, then check it out in How To Write A Killer Text Response .

Within the THINK strategy, we have 3 steps, or ABC. These ABC components are:

Step 1: A nalyse

Step 2: B rainstorm

Step 3: C reate a Plan

Theme-Based essay prompt: T he Secret River depicts many layers of conflict, within but also between its key characters. Discuss

Step 1: analyse.

The key term of this prompt is conflict , but I think it’s also important to analyse how it’s discussed—as something that exists in layers , and something that can happen both within and between characters. This seems to hint at the idea that conflict can be internal—that is a single character can feel conflicted about something—as well as external—that is two or more characters can have some kind of dispute. This prompt will require us to think about all these different types of conflict. 

Step 2: Brainstorm

Let’s start with the most internal layer—conflicts with the self. In terms of key characters, consider William but also Sal: what debates do they have with themselves, or what do they say or do that shows they feel conflicted or unsure about something?  

Then, let’s broaden that out to interpersonal conflicts between characters. How do William and Sal, for example, come into conflict with their neighbours—both their white neighbours and their Aboriginal neighbours? How do they come into conflict with each other, even?

Maybe it’s worth separating the racial conflict into another category—conflicts between groups of characters, rather than individual characters. If we make this distinction, we need to be prepared to back it up—in what ways is this conflict of a different nature?

Step 3: Create a plan

I think we can pretty justifiably separate out our layers of conflict into those categories: interpersonal, interpersonal and interracial. This gives us three neat(-ish) paragraphs and a clear, affirmative contention: yes, there are many layers of conflict, and those are the three layers. 

P1: At its most intimate layer, conflict is internal—the moral dilemmas of William and Sal are particularly strong examples.

P2: Conflict can also be interpersonal—we can see this between William and Dan, or William and his neighbours, or between William and Sal even. It’s up to you which way you cut this paragraph.

P3: However, perhaps the central conflict that the novel is built around is interracial conflict between white colonisers and the Aboriginal people whose land they occupied. To extend the prompt a little, we can talk about conflict not just between characters or people, but also between value systems. For example, the way colonisers saw land and property were fundamentally incompatible with how Aboriginal people saw it—this is another type of conflict.

In this sense, we’re largely agreeing with the prompt, backing up the distinction between interpersonal and interracial conflict, and finding a way to extend on it a little towards the end. We can build this into the contention as well: there are many layers of conflict, but they occur not just between characters. They can also exist between the broad cultural values of entire groups of people as well. 

If you find this essay breakdown helpful, then you might want to check out our The Secret River Study Guide where we cover 5 A+ sample essays (written by a 50 study scorer!) with EVERY essay annotated and broken down on HOW and WHY these essays achieved A+ so you reach your English goals! Let's get started.

The Ultimate Guide to VCE Text Response

How To Write A Killer Text Response Study Guide

How to embed quotes in your essay like a boss

How to turn your Text Response essays from average to A+

5 Tips for a mic drop worthy essay conclusion

The life of an English teacher during assessment time is miserable. This is great for us! If you know how to use their misery to your advantage.

Hello, I am here to teach you how you can claim some easy English points off these poor, poor, professors. Let’s begin 😊

1. Engage with the historical context

This should be a baseline expectation! Yet, if I had a dollar for every student I see launching into an essay not even considering the socio-cultural context in which their book was written, I’d have enough to purchase the VCAA institution and have historical context made mandatory with the punishment being immediate expulsion from VCE.

Just put some historical context into your introduction, it’ll make it beefier and add some spice to your essay. Historical context generally entails listing the form (novella, play, etc…) of your text; the time period in which it was written (Victorian, 20th century, etc…), its genre (Gothic, biographical, etc…), and finally, any of the relevant literary titles it could be classed under (Romantic, Feminist, post-colonial, etc…)

For example: “Mary Shelley’s Victorian Gothic Romantic novella Frankenstein…”

Bonus points if you can actively engage in a set of philosophical ideas that were present at the time, eg: “Age of Enlightenment values”, or the “Feminist movement”.

2. Write a strong introduction

You must impress an assessor within two minutes. With this in mind, what do you think looks better: a little five-line intro vaguely outlining your points and just barely tickling on the structure and context of the texts; or a sprawling introduction which hits the historical context on the head and articulates beautifully the direction your essay is going and how it plans to get there. It’s a simple Virgin vs Chad dichotomy, be a chad, write a strong introduction.

3. Clear and concise topic sentences

Your topic sentences NEED to be easy to read and easy to follow. Apply the K.I.S.S rule here (Keep it Simple, Stupid). State the point of your paragraph with clarity, there should be nothing too complex or vague about it. For example: “The architecture of Frankenstein enables the story to act as a cautionary tale”. If you feel you cannot encapsulate your topic within a single sentence, then I suggest dialling back the complexity of your paragraph topic. Remember, text response is a process of stating a concept, then proving it – nothing more, nothing less.

You know ‘Grammar Nazis’? Well English assessors are Grammar Hitler’s. Make sure your expression is on point. Avoid run on sentences, break them up with full stops, a comma is not a substitute for a period.

5. Understand language

I’m hoping we all know what verbs, adjectives, adverbs, nouns, conjunctions and etcetera are here? This kind of rather basic English knowledge can seriously pepper up your analysis once you understand how language works. Begin by simply noting how an adjective modifies a verb within a sentence and what affect that has. Once you master this, you can move onto actually classifying the language under specific tones; for example: a pejorative verb, or a superlative adjective of degree. I’ll throw a few free ones your way! A pejorative verb is a doing word with negative connotations, such as: “penetrate” or “molest”. Whilst a superlative adjective is a describing word of the highest degree, for example: “grandest” or “calmest” (as opposed to simply “grand” or “calm”. Although this language seems complex, it’s deceivingly simple once you understand some basic English rules.

6. Write about structure

Structure is the ‘secret high scoring English students don’t want you to know!!’ If you aren’t writing about structure, then you are missing out on an absolute gold mine of analysis. If you understand how structure works within a text and can write it out coherently you’re essentially guaranteed a 40+. Y’all may call that an exaggeration, but knowing how to write about structure in an essay is like crossing the threshold, your eyes become open – you attain nirvana. Structure is the Bifrost which separates the land of Gods from the land of mortals. Some good ways to begin thinking about structure include: pondering how the text begins and ends, does it begin as a jovial and upbeat story and end as a depressing mess, why might the author have structured the text this way? Or, think about which characters we follow throughout the text and what journey they undergo, are their multiple narrators? Why might this be relevant or what may the author be trying to emphasise? Another great one is just looking for recurring themes and motifs across the text, such as a repeated phrase or similarities between characters. The key to writing on structure is understanding how the text has been structured, and then connecting that to a meaning or using it to support your contention.  

7. Structure your essays

PSYCHE I’M STILL NOT DONE TALKING ABOUT STRUCTURE. Structure. Your. Essays. I cannot stress this enough, use TEEL (topic sentence, evidence, elaboration, link), use whatever your teacher taught, but use it! This one is especially important in language analysis, legit, lang anal essays are almost 100% structure, just WHW (what, how, why) your way through that essay. Once you understand how to structure an essay, everything else improves. So, structure your essays!! 

8. Write about allusions

Now we’re getting into the big boy material. An allusion is any reference within a text to another text. So when Peter Griffin from Family Guy pokes fun at the Simpsons, he is making an allusion to the Simpsons. Or when your protagonist happens across a bible verse, that is a biblical allusion. Whenever I hear a student mention a literary allusion, my day improves and so does their mark. Most every text has allusions in it somewhere, do your research. Frankenstein has Rime of the Ancient Mariner, about half the books on the planet have biblical allusions, just ask your teacher or research online and you’re bound to come up with some excellent analysis material. Bonus points for allusions to classic texts such as: the Faust mythos, Greek/Roman tales such as Prometheus, the Bible, Paradise Lost, etc…

9. Reference influential philosophical ideas

This one is eating from the tree of knowledge. Including a philosophical concept in your essay immediately places you in the upper echelons. It separates plebs from patricians. You’ll have to do a bit of research here, but it is well worth it. Once you can mention that an idea is “characteristic of the Romantic period”, or that a concept is “Lockean (referring to John Locke)”, you’re balling, you’ll be hustling A+s in no time. Bonus points for philosophical ideas that were relevant to the time period (historical context, remember). 

10. Authorial Agenda

Referencing the authorial agenda is just minty fresh, it demonstrates a clear understanding of concepts even beyond just the text itself. Guaranteed to put a sparkle in your teachers’ eye. Although adding authorial agenda augments your essay extraordinary, don’t overdo it. 

If you made it to the end of this then great work! Proud of you <3. Including these tips in your essays is a surefire way to push them to the next level. For sticking through, I’ll give you a few quick bonus tips. Have pre-prepared zingers: you should write out and memorise a few bits of analysis that are intensely high quality, (do it in your own writing) this not only helps with ironing out your language, it also ensures you’ll have some mic drops in your essays. Analyse all included images and titles: this one’s just for language analysis, but you should analyse everything, including logos! And finally… RESPOND TO THE ESSAY QUESTION, this should be a given but there are hordes of people just spewing out words which are absolutely irrelevant to the actual essay topic.

 Thanks again for getting this far, unless you just scrolled to the bottom hoping for a TLDR. I wish you all best of luck in your VCE and the exam season, try to make it enjoyable 😊

The Erratics is usually studied in the Australian curriculum under Area of Study 1 - Text Response. For a detailed guide on Text Response, check out our Ultimate Guide to VCE Text Response .

‍ Setting is a literary element that refers to the context of where a story takes place, usually alluding to the time and location. Your expectations of a story that takes place in Victorian England would differ greatly from a story set in late 2000s Australia, showing us that the historical, social and geographical aspects of the setting shape the meaning of the text.

In the memoir The Erratics, the setting plays a vital role in Vicki Laveau-Harvie's storytelling. From the beginning of the novel, Laveau-Harvie uses both the title and prologue to foreground the importance of the Okotoks Erratic (a geographical phenomenon in Alberta, Canada) to establish the role that place and belonging have played in her life. Further reinforcing the importance of the setting, the memoir’s narrative follows Laveau-Harvie’s experience flying back to Alberta, Canada (her hometown), after having moved to and started a new life in Australia. 

Why Focus on Setting When Writing a Text Response?

The setting can be useful evidence to have in your repertoire as it helps you show that you not only have an understanding of the ideas of the text but also how those ideas are constructed . When looking at the criteria you will be marked against in the end-of-year exam you will see that to score a 7 and above in Section A you need to consider the ‘construction’ of the text ( read more here ). Construction refers to your ability to discuss the parts that make up a text through the use of metalanguage as evidence to support your views. The setting is just one of the ways you can address construction in The Erratics, but, as a text so focused on physical environments, it’s a good type of metalanguage to start with.

Famous for producing Justin Bieber and maple syrup, Canada has a similar history to Australia. Canada has an Indigenous population who inhabited the land for thousands of years before British and French expeditions came and colonised the land. In the 1700s, due to various conflicts, France ceded most of its North American colonies while the United Kingdom stayed. Over time the country gained greater autonomy and, like Australia, it is now a constitutional monarchy with a prime minister but recognises the British royal family as its sovereign. Further mirroring Australia, Canada also has a colonial past that it is still reckoning with as recent headlines about the human remains of hundreds of Indigenous people at a residential school reminds us. 

Vicki is specifically from Alberta, and the majority of the novel is about her experiences returning there after having moved to Australia (at the start of the memoir she had been estranged from her parents for 18 years). Known for its natural beauty and its nature reserves, Alberta is a part of Western Canada. Alberta is one of only two landlocked provinces in Canada which is interesting considering that Vicki leaves it for a country famous for its beaches and coastal cities. 

When annotating the text , highlight the descriptions of the setting. You’ll notice that when  Laveau-Harvie describes Alberta or Canada as a whole she presents the country as being dangerous and hostile. An example of this is the blunt statement that the ‘cold will kill you. Nothing personal’. However, Laveau-Harvie does find some solace in the landscape, observing the beauty of the ‘opalescent’ peaks and the comfort in predictable seasons. 

Vicki’s Parent’s Home

The first description Laveau-Harvie gives us of her family home is to call it ‘Paradise, [with] twenty acres with a ranch house on a rise, nothing between you and the sky and the distant mountains.’ The idyllic image foregrounds the natural landscape but is then immediately juxtaposed with the description of the home as a ‘time-capsule house sealed against the outside world for a decade’. This description heightens Vicki’s mother and father’s isolation from the outside world and alludes to the hostility of the home that is reaffirmed with the doors that ‘open to no one’. The family home becomes an extended metaphor for Vicki’s parents themselves, with the description of it as a ‘no-go zone’, hinting at the sisters’ estrangement from their parents who have shut them out. 

Moreover, the land the house sits on does not produce any crops despite it being such a large expanse of land, heightening the home’s disconnect from the natural world. This detachment from the natural world is furthered by her labelling her parents as ‘transplants from the city’ and contrasting them to locals who ‘still make preserves in the summer’. Vicki’s mother in particular is at odds with nature due to materialism, such as her wardrobes being full of fur coats.

The Erratics + Napi

In the prologue we are introduced to the Okotoks Erratic as being situated in ‘a landscape of uncommon beauty’ with the Erratic itself being something that ‘dominates the landscape, roped off and isolated, the danger it presents to anyone trespassing palpable’. The memoir then immediately shifts to Vicki’s experience in the hospital trying to convince the staff that she is her mother’s daughter, drawing a parallel between the dominating and dangerous landscape to the dominating and dangerous mother. In the memoir, the Erratic is an extended metaphor for the mother with both the land and the mother being described as ‘unsafe’, ‘dominat[ing]’ and a ‘danger’. Moreover, the structural choice of opening the novel with the Erratic makes its presence felt throughout the novel even though it is not mentioned again until the end of the text. 

In contrast to the prologue, the epilogue has a feeling of peace and reconciliation as the mother and what she has represented to her family is reconciled with the landscape. This is particularly pertinent as the geographical and spiritual origins of the rock revealed in the epilogue is a story of stability after a rupture. This alludes to the ability of Vicki’s family to heal after the trauma inflicted on them by the mother. The epilogue could also be understood as a reminder of humanity's insignificance in the face of nature and larger forces, as represented by Napi.

While Laveau-Harvie does not directly address Canada's colonial past in her memoir outside of the inclusion of Napi, the colonial presence is felt throughout the memoir through the setting of both Australia and Canada. These settings allude to how living on stolen land means that while individuals - particularly middle-class, white individuals - may not always recognise and address the colonial history of the land they live on, the fact that land was never ceded is still felt. 

As discussed before, Canada and Australia are similar as they are both former British colonies that are now constitutional monarchies, so why would Vicki want to move to a place that is similar to where she already lived and experienced trauma? 

There are a few potential answers, the first being the geographical distance. There are over 1300kms between Sydney and Alberta and, considering the trauma Vicki and her sister have experienced, it stands to reason that she would want to put distance between her childhood home and her adult life. This leads to the second reason, travelling to ‘Far flung places’ as a method to deal with trauma. While in Canada, Vicki reminisces about the ‘boozed-up Brits on Bondi’ that embodies her life in Australia. The evocative, alliterative image creates a stark contrast between warm and carefree Australia and cold and emotionally taxing Canada, reinforcing how travelling provides individuals with a means to survive their traumatic childhoods and create new lives for themselves. 

When writing about setting you do not need to be an expert in geography. As this blog post has shown, to understand Laveau-Harvie’s use of setting in The Erratics you only need to know about two countries, so next time you write a text response, consider using your understanding of setting to show your teacher or examiners that you’ve thought about the text’s construction.

If you'd like to dive deeper into this text, Zac breaks down key themes and quotes in The Erratics over on this blog .

For a step-by-step explanation of everything you need to know to ace your SAC or exam, check out our How To Write A Killer Language Analysis ebook.

For many students, Language Analysis is their downfall. Here is the main reason why: Lots of students don’t think about  how language is used to persuade , instead they rely on lists of language techniques to tell them the answer. These sheets are usually distributed by teachers when you first start language analysis – see below.

Whether or not you’ve seen that particular document before, you’ve probably got something similar. You’ve also probably thought, ‘this sheet is absolutely amazing – it has everything I need  and  it tells me how language persuades!’ – I know I did. Unfortunately, this mindset is wrong. Don’t fall into the trap like so many other students have over the years. For a detailed guide on Language Analysis including how to prepare for your SAC and exam, check out our Ultimate Guide to VCE Language Analysis .

The following comes from VCAA 2009 English Assessment Report:

…some students presented a simple summary [when analysing]…with little development. These responses did not score well as they did not fulfil the task as required.

The ‘simple summary’ refers to students who rely on those technique sheets to paraphrase the explanations regarding how language persuades. There is ‘little development’ because copying the explanations provided on these sheets doesn’t demonstrate enough insight into the article you’re analysing. Let’s have a look at the VCAA English Practice Exam published in 2009, ‘Chickens Range Free’ so that we can demonstrate this point. We will look at two students, both analysing the same technique. Compare the two and determine who you believe provides the better analysis.

Student 1:  Emotive language such as “abominably cruel” and “dire plight” is intended to stimulate strong emotional reactions that manipulate readers’ responses.

Student 2:  The use of emotive language such as “abominably cruel” and “dire plight” intends to appeal to people’s instinctive compassion for the chickens by describing their dreadful treatment, hence causing readers to agree with Smith that urgent action is required to save these animals.

It should be clear that Student 2’s example is best. Let’s see why.

Student 1 has determined the correct language technique and found suitable evidence from the article. This is a good start. However, Student 1 goes on to merely reiterate the explanations provided by language technique sheets and as a result, their analysis is too broad and non-specific to the article.

Student 2 conversely, understands that this last step – the analysing part – is the most important and vital component that will distinguish themselves from others. Instead of merely quoting that the article ‘manipulates the reader response’ like student 1, they provide an in-depth analysis of  how   and why  reader feelings are manipulated because of this technique. Student 2 was able to use the information to illustrate the author’s contention that we should feel sorry for these caged chickens – and we do because of our ‘instinctive compassion.’ They explain that the sympathy expressed from readers encourages them to agree that some action needs to be taken to help the chickens. As you can see, Student 2 has gone beyond identifying that ‘strong emotional reactions’ will be displayed by readers, to  establishing  what emotions are involved, and the consequences of those emotions.

This is why it’s best to avoid paraphrasing language technique sheets. By all means, don’t totally disregard them altogether. They’re definitely great for learning new language techniques – just be mindful of the explanations given. The part regarding  how the author persuades  is the downfall of many students because even though teachers tell you to analyse more, they often don’t show you the difference between what you’re doing wrong and what you should be doing right.

• What is a Written Explanation?
• Creative Response-Based Written Explanations
• Oral Presentation-Based Written Explanations

1. What is a Written Explanation?

Written Explanation (also known as Statement of Intention, SOE, and various other names throughout different schools) is a short introductory piece to your essay. The Written Explanation is intended to explore the reasons behind why you made particular writing decisions. This is done via FLAPC:

F orm,  L anguage,  A udience,  P urpose,  C ontext

2. Creative Response-Based Written Explanations

The following is taken from the VCAA study design for Creative Response-Based Written Explanations:

'a written explanation of creative decisions and how these demonstrate understanding of the text.'

Most assessors are quite lenient with how you want to approach the Written Explanation – there is no rigid structure that you need to abide by. As we will discuss below, this allows you to consider which aspects of form, language, audience, purpose and context you wish to include. Each of the points should establish why you have written your piece. They are considered as part of your SAC and thus, are marked accordingly. They are not  examinable during the English exam. 

There are traditionally three forms of writing accepted in assessments: expository, creative or persuasive essay. 

‘I chose to write in an expository style, employing conventions of format and style of a traditional essay. This allows me to express my ideas in a logical order while adopting a sophisticated tone.’

When writing, you choose particular words and phrases to illustrate your ideas. Think about what type of language have you used and why. Perhaps your piece is formal or informal, sophisticated or simple, or from a first or third person perspective. All these factors are important in shaping your Context piece. Also consider language techniques you may have incorporated such as repetition, rhetorical questions, metaphors, symbolism and more.

‘I have chosen to write from a first person perspective to shed light on the inner workings of Gardiner from  The Lieutenant .'

You must select a targeted audience for your essay. Your choice can be adults to young children, or even to your future self. Make sure your target audience is suitable for your essay – select a group that would realistically be interested in your work.

‘My piece is to be published in an anthology for those who have had difficulty assimilating into a new group or culture. As they have familiarity with the concepts I discuss, I intend for readers to depart with a greater understanding and appreciation of the ideas in my written piece.’

The purpose section is where you discuss the message you would like to send to your audience. Here you discuss your contention or arguments; whether you completely agree, disagree or a bit of both in regards to your prompt.

‘The purpose of this essay is to demonstrate that there can be different outcomes from encountering conflict: firstly, that conflicts can change many people through growth in understanding or a sense of self-development and secondly, that there are times when people remain unaffected by conflict and thus, unchanged.’

Since your essay is based on your studied text, you should provide a brief discussion of the basic ideas behind the Context . You can do this prior to your  Purpose  section since it is a good lead-in.

‘In this essay, I explored the idea that ‘Conflict inevitably changes people’; a concept heavily explored in  The Lieutenant . Every person encounters conflict. It drives individuals to challenge themselves, and deal with new experiences.'

Different schools will set different word limits for Written Explanations. These can range from 300 – 350 words based on the VCAA study design. With such a small word limit, be succinct and choose wisely what you will discuss in order to score the maximum marks allocated to Written Explanations.

3. Oral Presentation-Based Written Explanations

The VCAA study design requests students write:

'a written statement of intention to accompany the student’s own oral presentation, articulating the intention of decisions made in the planning process, and how these demonstrate understanding of argument and persuasive language.'

Using the topic,  'Why we need to stop crying "cultural appropriation" when  cultural exchange  is far more important ', let's see how this can be done with FLAPC with some examples below (if you need help selecting a topic, check out our 2020 Oral Presentation topics to get those brain juices flowing ):

‘I chose to adopt the conventions of a persuasive speech, where I use a structure of presenting my main ideas by rebutting arguments made by the opposition. Throughout my speech, I embed persuasive tactics in an effort to firstly, encourage engagement from the audience and secondly, sway them to readily accept my point of view.

‘Since I am an Asian-Australian, I have purposefully forgone the opportunity to adopt a persona and instead, have chosen to write from a first person perspective as I can uniquely shed light on my own experiences towards cultural exchange and how that has directly impacted me. My speech heavily focuses on delivering tangible examples, such as anecdotes and social media usage, as I aim to heighten the topic’s relevancy and relatability for my audience. Moreover, as my focus is to reinforce positive attitudes towards cultural exchange, I have adopted a light-hearted approach with humour through the first portion of my speech, then moving into an urgent tone towards the end to highlight the importance of this issue.'

'I have opted to target young Australian adults since we are the generation of the future, and have a major role to play in positively shaping the Australian society’s views and attitudes towards cultural exchange.

'I aim to convince my audience that it is too easy to cry 'cultural appropriation' by being overly sensitive, and instead, we need to consider the benefits of cultural exchange. Cultural exchange itself, has shaped the world as we know it today – it has an important role in globalisation, understanding foreign cultures and the development of Australian society.'

'Australia is known to be one of the most multicultural countries in the world. However, recent media has drawn attention to cries of 'cultural appropriation' towards Indigenous Australians and other cultures, claiming that we fail to appreciate and respect cultural values when we take others' culture for our own (whether it be fashion, music, food or otherwise).'

‍ Sample FLAPC compiled and rearranged for flow and fluency:

Australia is known to be one of the most multicultural countries in the world. However, recent media has drawn attention to cries of 'cultural appropriation' towards Indigenous Australians and other cultures, claiming that we fail to appreciate and respect cultural values when we take others' culture for our own (whether it be fashion, music, food or otherwise). I aim to convince my audience that it is too easy to cry 'cultural appropriation' by being overly sensitive, and instead, we need to consider the benefits of cultural exchange. Cultural exchange itself, has shaped the world as we know it today – it has an important role in globalisation, understanding foreign cultures and the development of Australian society. I chose to adopt the conventions of a persuasive speech, where I use a structure of presenting my main ideas by rebutting arguments made by the opposition. Throughout my speech, I embed persuasive tactics in an effort to firstly, encourage engagement from the audience and secondly, sway them to readily accept my point of view. Since I am an Asian-Australian, I have purposefully forgone the opportunity to adopt a persona and instead, have chosen to write from a first person perspective as I can uniquely shed light on my own experiences towards cultural exchange and how that has directly impacted me. This also has an additional persuasive effect as I invite my audience to relate to my opinions through their own similar experiences as young Australian adults. I have opted to target this audience since we are the generation of the future, and have a major role to play in positively shaping the Australian society’s views and attitudes towards cultural exchange. My speech heavily focuses on delivering tangible examples, such as anecdotes and social media usage, as I aim to heighten the topic’s relevance and relatability for my audience. Moreover, as my focus is to reinforce positive attitudes towards cultural exchange, I have adopted a light-hearted approach with humour through the first portion of my speech, then moving into an urgent tone towards the end to highlight the importance of this issue.

Download a PDF version of this blog for printing or offline use

Need more help with your Creative Response? Check out How To Achieve A+ in Creative Writing (Reading and Creating)!

See how Lisa achieved full marks in her SAC in her Advice for A+ Oral Presentations guide.

The Lieutenant is usually studied in the Australian curriculum under Area of Study 1 - Text Response. For a detailed guide on Text Response, check out our Ultimate Guide to VCE Text Response .

Grenville’s novel follows the life of protagonist, Lieutenant Daniel Rooke in his journey with the first fleet. Rooke’s primary conflict is his choice between his moral conscience and duty as a soldier. Because he is aware from an early age that he is out of step with the world, he tends to be more reasonable in his way of dealing with conflict. His final response to his inner conflict is to stand strongly by what he believes.

The Lieutenant at its core is a journey of self-discovery as Daniel Rooke navigates the immoral waters of British imperialism and its impact on the indigenous Australians. Becoming closer to Tagaran, Rooke attempts to bridge cultural barriers through the transformative power of language. Rooke observes the scissions created by violence and the perhaps misplaced Western superiority and is perpetually torn between his moral intuitions and his obligations and duty as a Lieutenant.

TIP: Have an understanding of the historical context behind The Lieutenant as well as the real life people that Grenville loosely based her novel off of. This means having a grasp on the first fleet, the British colonisation of Australia and important figures such as Bennelong.

Tip: i have included some examples from the text but this list is by no means exhaustive, occasionally there is a repetition of examples. it’s important to remember that examples are versatile and can be applied to many different themes and ideas. feel free to add and explore how other examples might enhance these themes..

Language dictates commonality and communication, yet to Rooke he discovers that central to the power of language is the willingness to cooperate, patience and respect. Throughout Grenville’s novel, however, it is clear that language can not only dispel the lasting vestiges of misunderstanding but it can also form the basis for racism and violence. It is through our language itself that reveals our biases.

The language of racism

• Weymark refers to the Indigenous men during their first encounter as “mister darkie” etc. each a patronising euphemism concealing his arrogant notions of superiority

The limitation of language to accurately portray and convey a moment

• “what had passed between Tagaran and himself had gone far beyond vocabulary or grammatical forms” (pg186)

The language of violence

• “what it said was I can kill you. He did not want her to learn that language. Certainly not from him” (pg224)
• “Violence had an enlivening effect. As long as someone else was the victim it made the blood pump, gave the world an edge of glamour” (pg239)
• “ Gamekeeper. He wondered whether that word had killed Brugden” (pg240)
• “The gun is the only language the buggers will understand” (pg241)
• “war was a species of conversation” (pg108)

Assumed cultural superiority of British empire

The hierarchical nature of British Society stands in diametric opposition to the community-oriented system employed by the Indigenous Australians. This hierarchy defines their people by their contributions to “Her Majesty” and shames and “punish[es]” all those who fail to comply with the loose morals and violence condoned by the British colonists. This notion is elucidated through the exploitation of the natives and the nations reliance on oppression and servitude to maintain its imperial status, put simply: their strength is an accident arising from the weakness of others. It is on this foundation that Grenville explores the violent treatment of the natives by the British and even their treatment of their own people.

• “In the world of Church Street, Benjamin Rooke was a man of education and standing and a father to be proud of. At the Portsmouth Naval Academy a mile away, he was an embarrassment” (pg6)
• “So we punish…. Every man is the same. If he steals, he is punished… It was interesting to hear that magnificent idea – the product of hundreds of years of British civilisation – spelled out so plain”(pg195)
• This was justice: impartial, blind, noble. The horror of the punishment was the proof of its impartiality. If it did not hurt, it was not justice.” (pg197)
• “By god they are savage… Dirty too, look at the filth on them”
• “they may be savages, we call them savages. But their feelings are no different from ours”
• Weymark resorts to derogatory name calling, urging on “my black friend” and “Mister Darkie” in his base supplications

Power of conscience

The morality that is ingrained in Rooke from the onset aligns quite naturally with our own moral standards. Yet Grenville encourages readers to explore the difficult choice between morals and disobedience. Rooke faces such a choice. To obey an order to accompany an expedition to capture or kill six indigenous men, this forms the central conflict of Grenville’s novel. As elucidated through both Rooke and Gardiner, moral acts that defy the expectations and “orders of Her Majesty” are deeply frowned upon.

• “But Rooke, think: this is not a request, it is an order” (pg246)
• “…spell out the consequences of refusal.” (pg248)
• “… the service of humanity and the service of His Majesty were not congruent” (pg249)
• “I am sorry to have been persuaded to comply with the order. I would not for any reason ever obey a similar order” (pg285)
• “your orders were a most gravely wrong thing, I regret beyond my words my part in the business” (pg285)

Violence is central to the operation of imperialists as the British tightens its grip on the Indigenous Australians. Grenville emphasises that the power sought out by the British empire will always come at the expense of the natives. Violence and force are used to assert power, confirm boundaries around usurped land, promulgate fear and discourage resistance. The gun becomes a symbol of the violence and force of the settle and they show little intention of relinquishing the dominant position that the gun affords them.

• The punishment for the mutineers of the Renegade reinforces Rooke’s understanding of institutional power and violence as one lieutenant is hanged in a gruesome spectacle and the others dispatched into a nameless void.
• Weymark is determined to affirm his dominance and establish the white man as a powerful force
• Brugden’s increased freedom with a weapon results in violence towards the natives which culminates in the kidnapping of the two native men who are “grabbed” against their will
• Brugden’s unchecked brutality, and Gilbert’s excessive use of force, highlights the colonialists’ use of violence as a means of achieving their goal

Duty, service, obedience and the military life

Conforming to the pressures of the British Empire, Rooke joins the marines and complicitly serves without attempting to question the morality behind his actions. Importantly, he joins the marines not out of patriotic pride, but because he believes it will aid him to pursue his academic curiosities and steer away from violence. Yet it only brings him closer to the reality that lurks behind the ostensibly moral quest of British imperialism.

Character Analysis

Tip: whilst the lieutenant focusses on rooke’s experiences, you can’t neglect the minor characters in the novel, they are there for a reason think about how these characters are similar or different, how their stories contribute to grenville’s overall message and their relationship with the central protagonist rooke. ‍, daniel rooke.

• Lieutenant on the first fleet
• Struggles to articulate his thoughts and emotions as he is afraid of being “out of step with the world”
• From a young age, Rooke’s interactions with others has made it clear to him that he is different. As such this dictates his response to conflict: blaming himself or withdrawing. His connection to Tagaran through mutual empathy demonstrates his ability to overcome conflict through mutual respect
• Rooke is bound by duty to Her Majesty yet finds his missions in conflict with his innate instinct for moral righteousness

Supporting quotes

• “quiet, moody, a man of few words”
• “he had no memories other than of being an outsider”
• Captain on the first fleet
• Stands in contrast to Rooke in every respect
• Storyteller that is obsessed with his narrative
• Ignores the cruelty and violence of the Imperialist expedition in favour of an interesting story
• Blinding opportunism that undermines his integrity
• His tendency to gloss over the violence committed in the name of Her Majesty reflects his loyalty to the expedition
• “man whose narrative was so important to him”
• “a storyteller who could turn the most commonplace event into something entertaining”
• Connects with Rooke through their mutual love for learning and language
• Tagaran voluntarily engages with Rooke in his quest to understand their language, this surpasses the clumsy and mandatory lessons imposed on Boinbar and Warungin.

Supporting quotes ‍

• “Forthright, ferless, sure of herself, she looked to him like a girl who had already mastered whatever social skills her world might demand”
• “a clever child like Tagaran was the perfect choice: quick to learn, but innocent. Curious, full of questions but only a child”
• Gardiner acts as a foil character to both Silk and Rooke, sharing the same trials and tribulations as Rooke however responding differently than Silk
• Rooke’s friendship with Gardiner establishes the grounds for their later discussions on language, the treatment of the natives and the imperialist machine as Gardiner sets an example of the consequences of going against the duties required of him
• Brugden is portrayed as an essential element of colonising and the survival of the British fleet. As an embodiment of violence, Grenville suggests that integral to the operation of imperialism is crude and unwavering violence
• “Brugden, out there in the woods, that powerful chest… He would be an efficient killer”
• “Something had happened out there in the woods about which Brudgen was remaining silent”
• “The prisoner, taller than anyone else, his powerful frame half bursting out of its thread bare check shirt…”  

Lancelot Percival James

• Family of slave owners, product of the empire
• Rooke’s inability to understand James is symbolic of his values not aligning with that of the British empire. It foreshadows his later conflict with the value of the empire
• James symbolises the derision of the British hierarchy
• “Gamekeeper! The word suggested the society that Lancelot Percival James had boasted of at the Academy… But New South Wales was no gentleman’s estate… and the gamekeeper was a criminal who had been given a gun” (pg91)

By the way, to download a PDF version of this blog for printing or offline use, click here !

Interesting Points of Analysis

Silk’s Narrative

• Why is Silk obsessed with documenting the first fleet? What does he seek when he writes?

Rooke’s job as an astronomer

• Initially signing up for the first fleet as an astronomer, Rooke’s job is supposed to be observing comets and stars yet when he arrives he is tasked with a multitude of laborious tasks that hinder his astronomical work. In what ways does this act as a microcosm for the imperialist mission in Australia?

VOCAB: microcosm - a situation or event that encapsulates in miniature the characteristics of something much larger.

Rooke’s life in Antigua

• Why did Grenville include this section? What does it add to Rooke’s journey? Why does Rooke choose to do this?

Third Person Omniscient Narration

• Written from Rooke’s perspective, whose opinion do we hear the least of? And what unique perspective does Grenville’s choice of narrative perspective offer us?
• Grenville’s language reflects Rooke’s love for language. Her choice of imagery reveals Rooke’s way of seeing the world. For example, “crescent of yellow sand like a punctuation mark” accentuates Rooke’s tendency to observe his world as a linguist might and  highlights Rooke’s deep connection with language. Likewise, Rooke’s perception of a gun that speaks a language that “does not require listeners” emphasises his natural tendency to think as a linguist. Grenville does not write in an overly complex, dense or poetic way in order to mirror Rooke’s tendency to view things logically

How does the setting that Rooke finds himself in mirror or parallel the emotions that he experiences?

• Naval Academy (Portsmouth)
• “just another world that wrenched him out of shape”
• “sucked out of his spirit and left a shell being”
• “closed in on itself”, “narrow”, “squeezed tightly”
• Sydney Cove
• “There is nowhere in the world that I would rather be”(pg97)
• "On the northern shore, high dark prows of headlands hung over the water, the sombre woods pressing down into their own reflections. To the south the land was lower, each bay and promontory shining with the glossy leaves of mangroves. Now and then between them a crescent of yellow sand was like a punctuation mark” (pg89)

TIP: Just like the minor characters I mentioned before, meaning and themes come from all aspects of a novel not just plot points and major characters. By including niche examples such as the setting or the narrative perspective, you can demonstrate that you have a really thorough understanding of the text!

Video Transcription

This video’s takeaway message focuses on tackling essay prompts that include quotations. The extra quote with the prompt can seem superfluous, but often, they can provide hints about how to tackle or challenge the essay topic. It is there for a reason, and if you are familiar with the quote, I would recommend that you try to incorporate it into your essay!

Before we unpack today’s essay topic, let’s have a look at background information.

Kate Grenville’s The Lieutenant explores the commonality of the human spirit amidst tumultuous conflict during the First Fleet’s arrival in Australia in 1788. Drawing upon the true experiences of William Dawes, a British astronomer and one of the lieutenants to travel with the First Fleet, Grenville crafts a work of fiction inspired by Dawes’ “two little blue notebooks” detailing his growing understanding of the Aboriginal language Gadigal and his conversations and connection with Patyegarang, a young Aboriginal girl.

The ability for two individuals from completely different worlds to transcend their differences in order to share cherished moments and understandings together is exemplified in The Lieutenant , alongside the rife external and internal conflicts which threaten such relationship.

Today’s prompt is:

“But a man could not travel along two different paths.”

How does Grenville explore Rooke’s conflict of conscience in The Lieutenant?

Start off with focusing on the keywords in this prompt, especially the phrases that resonate with you for Steps 1 and 2 of brainstorming (which I have previously covered in other essay topic breakdowns.)

In particular, let’s have a look at the phrase “conflict of conscience” as this captures the essence of the prompt and what you will need to discuss in your essay.  

Conflict of conscience suggests internal conflict, which implies that we will need to consider morality and the concepts of right and wrong, especially when a difficult decision must be made and ‘sides’ need to be taken.  

Conflict itself is a central theme of The Lieutenant , however, it is important to recognise that this topic considers conflict through the narrower lens of ‘conflict of conscience’. This means that in your discussion, the relevance to the prompt is crucial to keep in mind to ensure you are actually answering the question!  

But first, let’s analyse the quote:

“But a man could not travel along two different paths”

This quote alludes to Rooke’s realisation regarding the reality of his identity, not only as Tagaran’s friend or “kamara” but also as a soldier or “Berewalgal". The resignation and recognition of the impossible – that is, for Rooke to continue attempting to appease both ‘sides’ without making critical decisions about who and what he ultimately valued more - is evident in this quote. Hence, this quote refers to the conflict of conscience he experiences and provides us with an insight into not only his character but also conflict itself.

Why is it not possible for a man to travel along two different paths?

What would happen if he tried?  

Why was this realisation important for Rooke, especially for his character and development?

These are the kinds of questions coming to mind upon seeing that quote alone, which all provide hints as to how I might tackle this prompt.  

Now that we have looked at a few ideas related to the question, we’ll now move into potential paragraphs for this essay.

Paragraph 1: Grenville’s utilisation of Rooke’s perspective in detailing his thought processes, observations and realisations reveals the facets of Rooke’s character contributing to his internal conflicts.

Remembering this is a ‘how’ prompt, we want to be analysing ways in which Grenville explores Rooke’s conflict of conscience. In this paragraph, I have chosen to focus on the raw and intimate expression of his inner thoughts and consciousness as the ‘how’ aspect.  

The detailed perspective reveals Rooke’s naivety in assuming the possibility of maintaining a peaceful connection with Tagaran and the Aboriginal community amidst turbulent and violent times. Consequently, it highlights his realisations regarding the morality of the conflicts he is involved in, and how despite one’s admirable intentions, “a man could not travel along two different paths” without facing dire consequences for their actions.  

Questions I might ask myself here include: why does Rooke initially try to deny the reality of his situation? What does his preference for a peaceful and accepting approach towards the Indigenous Australians suggest about his approach to conflict?

This cognitive dissonance ultimately contributes to his internal conflict between the value he places in his connections with Tagaran and her community and in his duties and obligations as a lieutenant. As readers, we come to realise the duality of this conflict in Rooke’s mind through the limited omniscient third person perspective, which provides us with an insight into Rooke’s shifting understandings of Indigenous people, conflict and even himself.  

I would then continue unpacking these changing understandings, especially ones relevant to his character which reveal his internal conflicts further. ‍

Paragraph 2: In addition, the stark contrast between Rooke’s approach to his conflict of conscience and other soldiers’ approaches underscores the rationale behind his actions and the stakes ineluctably linked with his choices and morality.  

This paragraph’s analysis revolves around Grenville’s inclusion of a host of different characters and outlooks - from Indigenous Australians to intransigent Colonial perspectives. I would emphasise the importance of juxtaposition between these different perspectives as it elucidates the values and beliefs underpinning each individual’s choices, especially during conflict.  

Although the core of the essay discusses internal conflicts, highlighting the connection between internal and external conflict would add another layer of complexity to your essay. Rooke’s conflict of conscience results in his permanent departure from Australia, and fleshing out the ramifications of dissent and opposition towards other Colonials is key in demonstrating your understanding of the complex and intertwined nature of conflict.

Paragraph 3: Through the detrimental implications of Rooke’s initial conflict avoidance, Grenville’s focus on his subsequent self-awareness to unite his morals and his actions highlights the strength of his character to resolve his internal conflicts to prevent further perpetration of injustice towards the Aboriginal population.  

Here, I am having a closer look at how Rooke's encounters with his conflicts of conscience and the repercussions of his actions in attempting to take a ‘middle-ground’ stance catalyse his development as an individual - in particular, how it solidifies his moral stance and his decision to act in a manner that reflects his beliefs.  

By showing Tagaran how to load the gun but not how to fire it, or by accepting the navigator role but distancing oneself from the group, he endeavours to avoid conflict with either ‘side’. However, passivity is a stance within itself, and in the case of the treatment towards Indigenous Australians, Rooke’s silence in not rejecting the actions of other “Berewalgal” inevitably enables injustice to continue.  

It is only through his understanding that non-committal actions also incriminate him as a perpetrator that his choice to sacrifice his Colonial obligations for taking an active stance to fulfil his moral obligations comes to light. This reveals the role that internal conflicts may have in inciting powerful change and realisations in an individual.  

The complexity of internal conflict can be difficult to discuss, but by using the quote provided in the prompt and asking yourself questions about the implications of the quote, we are able to delve into and construct a sophisticated understanding of The Lieutenant and of conflict itself.

LSG-curated sample essay topics for The Lieutenant

Now it's your turn! Here's a list of essay topics for your studies:

• The Lieutenant demonstrates how an individual's true self emerges in the face of conflict.' Discuss. ‍
• ' The Lieutenant shows the catalysts for miscommunication and misunderstanding between the First Fleet and the local Aboriginal population.' Discuss. ‍
• ' The Lieutenant presents a society where sustained, amicable relations between the "Berewalgal" and the Aboriginal population were impossible.' Do you agree? ‍
• “But a man could not travel along two different paths.” How is Rooke's conflict of conscience explored in The Lieutenant ? ‍
• 'Rooke's own differences furthered his understanding of and connection with Tagaran.' Discuss. ‍
• "You did not learn a language without entering into a relationship with the people who spoke it with you." How is this concept explored in The Lieutenant ? ‍
• "The intention of evil was there which is all that God see when he looks into our hearts." 'Grenville explores the importance of intention over action in The Lieutenant .' Discuss. ‍
• Why are Rooke's realisations about and outlook on the world an anomaly? ‍
• ' The Lieutenant explores how social change can only happen with dissent and non-conformity.' To what extent do you agree? ‍
• How does Grenville construct morality in The Lieutenant ? ‍
• 'Rooke discovers that exploration of the self is crucial in shaping one's sense of identity.' Discuss. ‍
• 'It is easier to resist change than to enable it.' How does The Lieutenant demonstrate this idea? ‍
• 'In The Lieutenant , it is the individual who determines what is possible and what is impossible.' Discuss. ‍
• "If he were to go back to that night on the sand of Botany Bay, would he make the same choice again, knowing that this was where it would lead him...?" How does Grenville explore how and why difficult choices are made? ‍
• 'Intransigence and a sense of superiority ultimately prevent unity in New South Wales.' Do you agree?

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How to write a perfect essay

Need to write an essay? Does the assignment feel as big as climbing Mount Everest? Fear not. You’re up to the challenge! The following step-by step tips from the Nat Geo Kids Almanac will help you with this monumental task. 

Sometimes the subject matter of your essay is assigned to you, sometimes it’s not. Either way, you have to decide what you want to say. Start by brainstorming some ideas, writing down any thoughts you have about the subject. Then read over everything you’ve come up with and consider which idea you think is the strongest. Ask yourself what you want to write about the most. Keep in mind the goal of your essay. Can you achieve the goal of the assignment with this topic? If so, you’re good to go.

WRITE A TOPIC SENTENCE

This is the main idea of your essay, a statement of your thoughts on the subject. Again, consider the goal of your essay. Think of the topic sentence as an introduction that tells your reader what the rest of your essay will be about.

OUTLINE YOUR IDEAS

Once you have a good topic sentence, you then need to support that main idea with more detailed information, facts, thoughts, and examples. These supporting points answer one question about your topic sentence—“Why?” This is where research and perhaps more brainstorming come in. Then organize these points in the way you think makes the most sense, probably in order of importance. Now you have an outline for your essay.

ON YOUR MARK, GET SET, WRITE!

Follow your outline, using each of your supporting points as the topic sentence of its own paragraph. Use descriptive words to get your ideas across to the reader. Go into detail, using specific information to tell your story or make your point. Stay on track, making sure that everything you include is somehow related to the main idea of your essay. Use transitions to make your writing flow.

Finish your essay with a conclusion that summarizes your entire essay and 5 restates your main idea.

PROOFREAD AND REVISE

Check for errors in spelling, capitalization, punctuation, and grammar. Look for ways to make your writing clear, understandable, and interesting. Use descriptive verbs, adjectives, or adverbs when possible. It also helps to have someone else read your work to point out things you might have missed. Then make the necessary corrections and changes in a second draft. Repeat this revision process once more to make your final draft as good as you can.

Download the pdf .

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The Essential Guide to Year 9 English

English is a subject that requires students to build and develop their skills in writing and communicating effectively. Now, like all skills, practice is the key to getting better, especially in Year 9 English! 

If you’d like to know more about what your child will specifically learn this year, we’ve put together this handy guide to make it easier to understand the various things your child will pick up in class.

So let’s begin!

What do students learn in the Year 9 Australian English Curriculum? Assessment Types in Year 9 English Year 9 English Resources

Looking for English guides for other year groups?

If you have a child in a different year group to Year 9, we’ve also got English guides for them! Have a look at our guides for the various year groups:

Year 1  |  Year 2  |  Year 3 | Year 4 | Year 5  |  Year 6  |  Year 7 | Year 8 | Year 10

What do students learn in the year 9 australian english curriculum.

Year 9 English covers a variety of key skills and concepts that will be built upon in senior english.

If you are a parent that would like to know the ins and outs of your child’s Year 9 english curriculum, or a Year 9 student who is curious to know what you will be learning in the following year, you have come to the right place!

This guide will give you a detailed outline of all the learning areas in the Year 9 English curriculum, including things Year 9 students will learn, how these can be applied outside of school and the standards that Year 9 students will reach by the end of the year.

Although these things may vary between schools based on teachers’ preferences, this article should give you a good idea of what a year 9 student will learn over the next year.

The Year 9 English curriculum has 3 key components that tap into key English skills. 

These broad components are:

• Literature 

These learning areas are important to enhance students’ communication, analysis, reading, understanding, and creating skills. 

Speaking of curriculums… have you heard yet? The Years 7-10 Maths is changing in major ways from 2024 onwards!

Now, let’s take a deep dive into each component!

This is a super important component for all English levels, and really, is the foundation for effective and fluent written and verbal communication. A sophisticated use of language will involve using proper vocabulary, sentence structure, and ensuring that the phrasing of sentences have a flow to them. 

The subtopics covered in ‘Language’ are as follows: 

Language variation and change This topic has two main subtopics that cover some basic historical and grammatical knowledge. A Year 9 student will develop an understanding that language is ever changing. This will be understood through a study of changing grammar through time , an example of this being from archaic uses of ‘thee’ to more modern words such as ‘you’. Students will also briefly explore concepts from ‘Globish’ English to get a better understanding of just how much the English language has evolved in the past years. 

Language for interaction This topic features a more practical application of English, in that students are to develop an understanding that language is what allows for the creation of interpersonal connections. Students will discuss a variety of literary techniques in lessons on evaluative language, and will touch upon how culture alters the use of language and how one interacts with different communities . The literary techniques that students may cover include allusion, evocative language, metaphors, and similes among others. 

Text structure and organisation This subtopic begins to take a deep dive into the writing process itself, introducing students to new and innovative ways of writing texts and using language and form to shape meaning . Students will experiment with different writing styles and narrative voices whilst comparing and contrasting the use of different styles in various texts. Students will also learn how to develop arguments in persuasive writing with the proper argument structure and language. 

Expressing and developing ideas This topic allows students to go into an in-depth analysis of the forms, features, and development of language used in other texts that allows for the creation of meaning . Through this, students gain skills in creating and developing their own ideas and effectively expressing these ideas. 

This component delves into a study of various types of literature, picking apart elements such as context, style and meaning. These concepts allow students to develop an understanding of not only how texts are written, but how they are highly influenced by the context of their time — giving insight into how authors come up with such elaborate and engaging texts.

Such knowledge can then be extended to students’ own writing, where they will have practice in coming up with their own unique texts. 

The subtopics covered in ‘Literature’ are as follows: 

Literature and context This topic delves into the different representations of people and culture available in different texts and reflects how cultural and social values can influence the content of different texts. 

Responding to literature This topic introduces students to persuasive and responsive writing in that they are able to gain skills on how to properly critique and analyse literature using their own personal understanding. 

Examining literature Yet again, students exercise the skill of analysis, in that they will be exposed to a whole range of concepts and texts which will require critical analysis. Through this, Year 9 students will continue to develop analysis skills which are at the centre of senior essay writing. 

Creating literature Students are given the opportunity to exercise their own writing skills and will write in a variety of forms which can include hybrid texts such as parodies and appropriations. 

This concept, similar to the previous one, further develops students’ skills in understanding how texts are created, how one can analyse and dissect the meaning of texts, and how one can transfer these skills to their own writing. 

The subtopics covered in ‘Literacy’ are as follows: 

Texts in context This topic develops from previous topics in that it discusses how the construction and interpretation of texts are greatly influenced by society and culture. 

Interacting with others Students will practice not only their written communication, but delve into the world of verbal communication too, in that they may be required to complete tasks that involve presentation and speaking. Valuable skills such as persuasive, confident speaking will be gained among others. 

Interpreting, analysing, evaluating In this topic, students will further enhance their critical thinking abilities as they develop their analytical skills whilst analysing a wide variety of texts. 

Creating texts In this topic, students will further develop their writing skills, practising to write in styles including persuasive, informative and creative styles. This will build the foundation for a confident start to senior english. 

Assessment Types in Year 9 English

Over the course of the year, Year 9 students will practise writing a variety of text types which include: 

• Creative writing pieces 
• Persuasives  
• Analytical pieces 
• Discursives 

These may vary across schools; however, your child will be exposed to all of these texts over the course of the year. Here’s an idea of the texts and the standards to which your child will be writing:

• Satisfactory
• Above Satisfactory
• Below Satisfactory

Still not sure how How to Study for English in Year 9? Check out our ultimate guide here!

Year 9 English Resources

Searching for additional resources for your child in Year 9? We’ve got a range of useful ones below!

Reading and Viewing List

Unsure of which books or media are suited for your child? Not to worry, as we’ve put together a list of various fiction, picture books and graphic novels, poetry, film and non-fiction texts that are recommended by NESA.

Some of these texts will be studied in class, but others you might want to encourage your child to read or view independently. Browse through the list below:

The Ultimate Year 9 Recommended Reading List

Your child will be sitting the NAPLAN for the very last time. As per usual, they will be assessed on their literacy skills and other aspects related to English.

You can learn more about the Year 9 NAPLAN with our various resources below:

The Ultimate Guide To The Year 9 NAPLAN How to Get a Band 8 in Year 9 NAPLAN Reading How to Get a Band 8 in Year 9 NAPLAN Writing How to get a Band 8 in Year 9 NAPLAN Language Conventions

Essay Writing

Essays can seem overwhelming and daunting, especially if it’s your child’s first time ever writing one. But they don’t need to be!

Our guide below breaks down a simple structure that students can follow and includes numerous tips and tricks to writing a cohesive essay. Check it out:

How to Write an English Essay in Years 9 and 10

And that’s it for our guide to Year 9 English! If you want to check out the full course, head over to the curriculum website here!

We wish you the best of luck for your studies, and are super excited for you to engage with the course!

Studying English in NSW? The curriculum is undergoing changes that you need to know about! Read more here

Looking for some extra help for your child with Year 9 English?

We have an incredible team of english tutors and mentors.

We offer tutoring and mentoring for students in Years K-12 in a variety of subjects, with personalised lessons conducted one-on-one in your home or at one of our state of the art campuses in Hornsby or the Hills! Find your personalised tutor in Parramatta , or your favourite tutor in Penrith !

We’ve supported over  8,000 students over the last 11 years , and on average our students score mark improvements of over 20%!

To find out more and get started with an inspirational English tutor and mentor,   get in touch today  or give us a ring on  1300 267 888!

Yasmin Hasan is a current first year psychology student at UNSW. She loves making art, playing piano or reading in her spare time. She graduated from high school in 2021 so her memories of her own high school experience are still quite fresh. She would love to use her own experiences to help other students build their confidence and improve in their academics!

• Topics: ✍️ Learn , ✏️ English

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How to Write an Essay in 9 Simple Steps

How to write an essay! Writing an essay can seem like a mammoth task but it doesn’t have to be difficult. There are certain things that you can do to make the process a lot easier and in this article, we are going to be looking at some of these. We will be giving you some useful tips to make sure that your essay is the best it can possibly be.

How To Write An Essay

Read your essay prompt thoroughly.

It is vitally important that you carefully read through the essay prompt and are sure that you fully understand it. You should look at any keywords within the prompt such as ‘discuss’ or ‘compare.’ These words will give you a more clear idea of what is expected from the essay. You will then want to look at any specifics, for example does the prompt ask you to write about a certain time period, product or person? This will ensure that you are clear on the specifics and will not stray from them.

Choose a topic

Once you have fully read and understood what is being asked of you, it is time to select a topic to write on. You do not have to be able to come up with an idea right away, it is important to put some thought into this part.

You might decide to do some brainstorming and map out all the ideas that spring to mind. This should be done in a quiet place where you can focus on your ideas. Make notes of anything that comes to mind to begin with, you can narrow these down later on.

Once you have completed your brainstorming, you can now select a more specific idea which is related to the original essay question. It is important to be original but not to stray away from the main focus of the essay.

If you are struggling with finding the right topic, you might choose to do some research or ask for help.

How to Write an Essay in English (Essay Writing in 9 Simple Steps)

Outline The Essay

You might think that now you have your essay idea in your mind, that it is time to start writing-but you would be mistaken. Before you can put pen to paper, it is important to plan out your essay and outline what you will write. This will give you a much easier time when it comes to actually writing the essay.

Things you will want to consider when outlining your essay might be as follows:

• What are the main ideas you want to put across?
• What are you own thoughts?
• How will you structure your essay?
• What statistics and data might you include?

Once you have done this, you will want to begin conducting any research that is necessary. One of the most crucial points when writing an essay is that any information you include is correct and up to date. For this reason, you should ensure that you perform your research using credible sources.

Learn more with quick tips to write a perfect essay outline . 

Structure Of The Essay

We mentioned that it is important to plan out the structure of your essay. We are now going to take a look at an example of how your essay might be structured.

Introduction

• An initial sentence outlining the essay.
• Thesis statement .

Body Of The Essay

• Detail statistics
• Talk about relevant information
• Present any research you have performed
• Include any data you have discovered relative to the subject
• Give the thesis statement once again
• Support your arguments
• Include a call to action.

Learn more with useful transition words in English . 

Writing The Essay

Now that you have outlined the essay and are fully prepared, you are ready to begin writing it. You should start with creating a thesis statement. This is a sentence which details the reason for writing the essay and gives the reader a clear picture as to what it will be about. It is important to include the following points in your thesis statement.

• The topic of the essay
• Your main argument

You should include this thesis statement in the beginning paragraph but feel free to refer back to it at various points throughout your work. This will serve as a reminder to the readers but it is important that you do not overdo this.

Write Your Introduction Paragraph

Once you have detailed your thesis statement, you should write a paragraph to introduce the essay. In order to write an introduction which is going to grab the attention of your readers, you should include something which is particularly interesting such as a shocking statistic or an anecdote. You can get as creative as you wish but it is important to remember that the introduction should stay relevant to the topic of the essay.

Learn more with simple tips to start a great essay . 

Write The Body Of Your Essay

The body of the essay is used for you to fully discuss the topic as well as your own personal thoughts on the subject by way of arguments and ideas. You can take each of your ideas from your essay outline and write a paragraph on each of these, in an order which flows and allows each idea to link in with the next.

You can include examples to back up your argument but it is important to remember that any research or references should be detailed within the work.

Write A Conclusion

Now that all of your ideas have been detailed, you can begin to write a paragraph to conclude everything you have written. You now have the opportunity to sum up your thoughts and also point towards the thesis statement for a final time, this will serve as a support to your position on the subject.

Editing Your Essay

Just because you have detailed all of your ideas and arguments, it does not mean that your essay is complete. Before you submit your essay, it is very important that you reread it and make any edits with spelling and grammar as well as adding in or taking away any information which you deem necessary.

You might consider reordering your essay so that the most important points are included first and less important ones nearer to the end of the essay.

Once this is done, you should take the time to read through your essay a few more times to make certain that it is as good as it can possibly be, you might notice that each time there are new edits that spring to mind. You could even pass the essay onto a friend or family member who can give an impartial opinion.

Writing an essay is a time consuming task but when you follow these simple tips, it can be much more easy to manage. Planning is one of the most important aspects of writing an essay and it is important to take the time to do this before you begin writing. It is also very important that you spend a good amount of time reading your essay and making any adjustments in order to product the best piece of writing possible.

How To Write An Essay Infographic

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Essay Writing: A complete guide for students and teachers

P LANNING, PARAGRAPHING AND POLISHING: FINE-TUNING THE PERFECT ESSAY

Essay writing is an essential skill for every student. Whether writing a particular academic essay (such as persuasive, narrative, descriptive, or expository) or a timed exam essay, the key to getting good at writing is to write. Creating opportunities for our students to engage in extended writing activities will go a long way to helping them improve their skills as scribes.

But, putting the hours in alone will not be enough to attain the highest levels in essay writing. Practice must be meaningful. Once students have a broad overview of how to structure the various types of essays, they are ready to narrow in on the minor details that will enable them to fine-tune their work as a lean vehicle of their thoughts and ideas.

In this article, we will drill down to some aspects that will assist students in taking their essay writing skills up a notch. Many ideas and activities can be integrated into broader lesson plans based on essay writing. Often, though, they will work effectively in isolation – just as athletes isolate physical movements to drill that are relevant to their sport. When these movements become second nature, they can be repeated naturally in the context of the game or in our case, the writing of the essay.

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Planning an essay

The Boys Scouts’ motto is famously ‘Be Prepared’. It’s a solid motto that can be applied to most aspects of life; essay writing is no different. Given the purpose of an essay is generally to present a logical and reasoned argument, investing time in organising arguments, ideas, and structure would seem to be time well spent.

Given that essays can take a wide range of forms and that we all have our own individual approaches to writing, it stands to reason that there will be no single best approach to the planning stage of essay writing. That said, there are several helpful hints and techniques we can share with our students to help them wrestle their ideas into a writable form. Let’s take a look at a few of the best of these:

BREAK THE QUESTION DOWN: UNDERSTAND YOUR ESSAY TOPIC.

Whether students are tackling an assignment that you have set for them in class or responding to an essay prompt in an exam situation, they should get into the habit of analyzing the nature of the task. To do this, they should unravel the question’s meaning or prompt. Students can practice this in class by responding to various essay titles, questions, and prompts, thereby gaining valuable experience breaking these down.

Have students work in groups to underline and dissect the keywords and phrases and discuss what exactly is being asked of them in the task. Are they being asked to discuss, describe, persuade, or explain? Understanding the exact nature of the task is crucial before going any further in the planning process, never mind the writing process .

BRAINSTORM AND MIND MAP WHAT YOU KNOW:

Once students have understood what the essay task asks them, they should consider what they know about the topic and, often, how they feel about it. When teaching essay writing, we so often emphasize that it is about expressing our opinions on things, but for our younger students what they think about something isn’t always obvious, even to themselves.

Brainstorming and mind-mapping what they know about a topic offers them an opportunity to uncover not just what they already know about a topic, but also gives them a chance to reveal to themselves what they think about the topic. This will help guide them in structuring their research and, later, the essay they will write . When writing an essay in an exam context, this may be the only ‘research’ the student can undertake before the writing, so practicing this will be even more important.

RESEARCH YOUR ESSAY

The previous step above should reveal to students the general direction their research will take. With the ubiquitousness of the internet, gone are the days of students relying on a single well-thumbed encyclopaedia from the school library as their sole authoritative source in their essay. If anything, the real problem for our students today is narrowing down their sources to a manageable number. Students should use the information from the previous step to help here. At this stage, it is important that they:

●      Ensure the research material is directly relevant to the essay task

●      Record in detail the sources of the information that they will use in their essay

●      Engage with the material personally by asking questions and challenging their own biases

●      Identify the key points that will be made in their essay

●      Group ideas, counterarguments, and opinions together

●      Identify the overarching argument they will make in their own essay.

Once these stages have been completed the student is ready to organise their points into a logical order.

WRITING YOUR ESSAY

There are a number of ways for students to organize their points in preparation for writing. They can use graphic organizers , post-it notes, or any number of available writing apps. The important thing for them to consider here is that their points should follow a logical progression. This progression of their argument will be expressed in the form of body paragraphs that will inform the structure of their finished essay.

The number of paragraphs contained in an essay will depend on a number of factors such as word limits, time limits, the complexity of the question etc. Regardless of the essay’s length, students should ensure their essay follows the Rule of Three in that every essay they write contains an introduction, body paragraphs, and a conclusion.

Generally speaking, essay paragraphs will focus on one main idea that is usually expressed in a topic sentence that is followed by a series of supporting sentences that bolster that main idea. The first and final sentences are of the most significance here with the first sentence of a paragraph making the point to the reader and the final sentence of the paragraph making the overall relevance to the essay’s argument crystal clear. 

Though students will most likely be familiar with the broad generic structure of essays, it is worth investing time to ensure they have a clear conception of how each part of the essay works, that is, of the exact nature of the task it performs. Let’s review:

Common Essay Structure

Introduction: Provides the reader with context for the essay. It states the broad argument that the essay will make and informs the reader of the writer’s general perspective and approach to the question.

Body Paragraphs: These are the ‘meat’ of the essay and lay out the argument stated in the introduction point by point with supporting evidence.

Conclusion: Usually, the conclusion will restate the central argument while summarising the essay’s main supporting reasons before linking everything back to the original question.

ESSAY WRITING PARAGRAPH WRITING TIPS

●      Each paragraph should focus on a single main idea

●      Paragraphs should follow a logical sequence; students should group similar ideas together to avoid incoherence

●      Paragraphs should be denoted consistently; students should choose either to indent or skip a line

●      Transition words and phrases such as alternatively , consequently , in contrast should be used to give flow and provide a bridge between paragraphs.

HOW TO EDIT AN ESSAY

Students shouldn’t expect their essays to emerge from the writing process perfectly formed. Except in exam situations and the like, thorough editing is an essential aspect in the writing process. 

Often, students struggle with this aspect of the process the most. After spending hours of effort on planning, research, and writing the first draft, students can be reluctant to go back over the same terrain they have so recently travelled. It is important at this point to give them some helpful guidelines to help them to know what to look out for. The following tips will provide just such help: 

One Piece at a Time: There is a lot to look out for in the editing process and often students overlook aspects as they try to juggle too many balls during the process. One effective strategy to combat this is for students to perform a number of rounds of editing with each focusing on a different aspect. For example, the first round could focus on content, the second round on looking out for word repetition (use a thesaurus to help here), with the third attending to spelling and grammar.

Sum It Up: When reviewing the paragraphs they have written, a good starting point is for students to read each paragraph and attempt to sum up its main point in a single line. If this is not possible, their readers will most likely have difficulty following their train of thought too and the paragraph needs to be overhauled.

Let It Breathe: When possible, encourage students to allow some time for their essay to ‘breathe’ before returning to it for editing purposes. This may require some skilful time management on the part of the student, for example, a student rush-writing the night before the deadline does not lend itself to effective editing. Fresh eyes are one of the sharpest tools in the writer’s toolbox.

Read It Aloud: This time-tested editing method is a great way for students to identify mistakes and typos in their work. We tend to read things more slowly when reading aloud giving us the time to spot errors. Also, when we read silently our minds can often fill in the gaps or gloss over the mistakes that will become apparent when we read out loud.

Phone a Friend: Peer editing is another great way to identify errors that our brains may miss when reading our own work. Encourage students to partner up for a little ‘you scratch my back, I scratch yours’.

Use Tech Tools: We need to ensure our students have the mental tools to edit their own work and for this they will need a good grasp of English grammar and punctuation. However, there are also a wealth of tech tools such as spellcheck and grammar checks that can offer a great once-over option to catch anything students may have missed in earlier editing rounds.

Putting the Jewels on Display: While some struggle to edit, others struggle to let go. There comes a point when it is time for students to release their work to the reader. They must learn to relinquish control after the creation is complete. This will be much easier to achieve if the student feels that they have done everything in their control to ensure their essay is representative of the best of their abilities and if they have followed the advice here, they should be confident they have done so.

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Part 2: Textual Analysis in Year 9

Guide Chapters

• 1. How to make notes
• 2. Textual Analysis
• 3. How to analyse prose fiction
• 4. How to analyse poetry
• 5. How to analyse Shakespeare
• 6. How to analyse film
• 7. How to analyse images & visual texts
• 8. How to analyse prose non-fiction
• 9. Composing English responses in Year 9
• 10. How to write persuasive essays
• 11. How to write creative responses
• 12. How to write speeches & presentations
• 13. Year 9 Exam Skills

Why analyse texts? Textual Analysis in Year 9 requires you to really peel back the superficial layer of a text and look at what the composer is representing and how.

Why analyse texts?

The further you get into high school, the more you will notice that the focus is on pulling apart chunks of the text, rather than recounting events or describing moments. Unpacking texts in this way helps us understand what composers are trying to say about the human experience as well as teaching us how they construct their texts.

In this article, we’re going to explain what textual analysis is in Year 9. Then, in the subsequent articles, we’ll give you step-by-step guides for analysing a variety of text types that you’ll encounter in Year 9.

In this article we discuss:

• What textual analysis in Year 9 involves
• Analysing texts: step-by-step
• Critical thinking in 3 steps
• Textual analysis: a summary

What does textual analysis in Year 9 involve?

Textual analysis is the process of reading a text to understand the meaning of a text AND how that meaning is being conveyed.

When we engage in textual analysis, there are many different ways that we can read for meaning. The common forms of textual analysis you will encounter in school are:

• Considering how a composer has told their story and related events
• Looking for how composers have created meaning with their use of techniques
• Considering how a text relates to its context
• Comparing a text against others

In junior years, Stage 4 and below, students tend to focus on plot and characters. In Stage 5 and beyond, the focus shifts and broadens.

From Year 9 onwards, you will need to really dig into the text and think about these deeper and more complex concerns.

The NSW Department of Education and the English Teachers Association  of NSW have defined the key steps in textual analysis as:

• Understanding  – Getting to grips with the content of a text
• Connecting  – Drawing connections between the text and external things like your own experience
• Engaging critically  – Thinking about deeper ideas in the text like power relationships or how reality is reflected in a text
• Engaging personally  – This is when students relate their reading of the text to other texts you have read or your own experiences

When students are trying to connect and engage with a text, they need to start thinking about how composers are using figurative devices – things like  metaphors  and  similes  in written texts or  mise en scene  and  shot types  or  sound  in visual texts and film – to create meaning for audiences.

What you will focus on in Year 9 will prepare for you for more challenging analysis in year 10.

In Year 9, you need to :

• Consider texts as a whole and see how they develop meaning and ideas across a whole text
• Analyse your texts and then relate them to your personal experience and context
• Consider texts in light of particular ideas such as power, gender, or ideology

In Year 10 , and even later in Year 9, you will have to start considering more complex concepts about texts in your analysis:

• Form and the conventions of form
• Genre and genre conventions
• Artistic movements
• Higher order techniques like satire and irony
• Considering values and attitudes

If you feel you need to to know about those now, read our article in the Beginner’s Guide to Year 10 English: Textual Analysis in year 10 .

Analysing texts

The process of textual analysis is crucial for Stage 5.

During Stage 5, students like you are expected to increase your understanding of texts and various types of texts. The idea is that as you look at more texts with increasing detail, you will develop your understanding of texts. This will provide you with the tools to explain ideas, infer new information, speculate about new ideas, and problem solve.

The process of textual analysis

When we discuss textual analysis, many students don’t think of it as a process.

It’s quite common for students to see textual analysis as a vague thing they do to understand texts.

But the truth is, if you want to ace English, you need to be process driven in your approach to analysing texts. At Matrix, students learn how to follow the Matrix Method TM for analysing and writing texts.

In the following Guides, we will step you through the following process:

This process is designed to help you crystalise your understanding of a text before you start writing about it. This will allow you to produce a more refined and insightful response.

In the next 6 guides, we will walk you through the step-by-step process – Steps 1-3 – for analysing a variety of different text types to develop your understanding of the text.

We will then take you through Steps 4-7, the process of composing a variety of different responses – from planning to drafting and, finally, submitting a polished piece of work.

The first three steps of the Matrix method are all about developing your UNDERSTANDING  and engaging with your texts. Each of these steps includes a reading or viewing of your text.

Yes! This means that you must read or view your text at  least three times. This will help you get a comprehensive understanding of your text.

The NSW Department of Education and the English Teachers Association of NSW have defined the key steps in textual analysis as:

• Understanding – Getting to grips with the content of a text
• Connecting – Drawing connections between the text and external things like your own experience
• Engaging critically – Thinking about deeper ideas in the text like power relationships or how reality is reflected in a text
• Engaging personally – This is when students relate their reading of the text to other texts you have read or your own experiences

When students are trying to connect and engage with a text, they need to start thinking about how composers are using figurative devices – things like metaphors and similes in written texts or mise en scene and shot types or sound in visual texts – to create meaning for audiences.

Step 1: Comprehension and meaning | the first reading

Before we walk you through the comprehension part of the Matrix Method, let’s look at why it has helped so many students conquer their English struggles.

Understanding a text should help you comprehend:

• The plot of a text
• The characters and their characterisation
• The themes in a text
• Concerns like power and truth

But, understanding doesn’t just happen.

Reading or watching an English text once is not going to give you the information you need to nail your assessments.

Far from it, a singular reading will only give you a cursory understanding of the text. Why?

When you read a text the first time you get a sense of what the text is about and who the characters in it are. Trying to analyse a text while you read it the first time will make it harder to get a holistic sense of it. Going back and reading it a second time will allow you to pick about how those ideas, the plot, and character are developed. The second reading allows you to evaluate each moment in the text in light of the whole text.

Step 2: Meaning | The second reading

The second reading is about building on an understanding of a text and thinking about how it has been constructed to produce meaning. The best way to gain this insight is by following a process.

Using a process to analyse a text forces you to be systematic about reading, analysing, AND taking notes.

Once students follow the process, they see their analysis deepen, their responses become more insightful, and their marks improve:

• The first reading is about enjoying and getting a feel for the text
• The second reading is where you start identifying key moments and considering things like plot development, characterisation, and recurrent motifs and symbols.

The second reading. this is when you should consider the deeper ideas within a text. Start drawing connections between this text and your knowledge of the world and your own experiences

Understanding a text is something that comes with the first  two readings of a text.

As you engage in your second reading, you should begin making notes and annotating your text.

If you find something interesting, write it down! Make note of your initial thoughts and insights. You must then return to these later!

Once you have understanding, you’re in a position to start a detailed analysis of the key parts of the text.

Thinking and talking about techniques: the third reading

A large component of textual analysis is exploring how composers use techniques to convey meaning. This is what you should be doing in your third reading.

Once you have understanding, you can start analysing for techniques. This is when you seek to identify key moments in a text and look at how the composer has developed the meaning. You need to see what techniques they have used.

Ask yourself, have the composers employed symbols, metaphors, or used literary devices, or filmic techniques that amplify or draw attention to certain ideas or themes in the text at that moment.

Once you’ve identified techniques, you need to start thinking about how they create meaning. Ask yourself, How does this example and technique:

• Develop character?
• Emphasize a theme?
• Portray relationships?
• Convey a particular idea or belief?
• Illustrate a value or attitude?

This is a process of close reading and comprehension that you need to practice so you can perfect it. It is essential that you write down you findings and thoughts as you go through this process.

If you are unsure of how to make notes, you should read the previous article in this Guide, How to Make Notes.

Once you have analysed your text and unpacked the key moments in the text and seen how the composer has represented these, you are ready to start thinking about meaning in a deeper way.

Critical thinking: Looking deeper into texts

What do we mean when we say looking at texts in a deeper way? We mean engaging with them on a critical and personal level and connecting your knowledge of the text to external ideas and experiences.

This is a three-step process, let’s see what this involves:

Step 1: Connecting

When we engage with texts we start relating them to our own lives and experiences. This allows us to consider how the text we are reading or viewing compares to other texts that we have engaged with in the past.

This allows us to think about how others view or represent the world. From these experiences, we develop a wide understanding of the world and the individuals we share it with.

It is important that we think about these connections as we analyse texts. Connections you should look for between texts are:

• Identifiable links to our worlds and experiences
• The way they represent common experiences, personal stories and cultural myths, or ideas
• Whether they share a context
• Employing similar genres, literary and filmic conventions, or language codes

As you ponder these connections, write down your findings and conclusions . It’s okay to not come up with concrete answers! Sometimes your analysis will leave you with more questions than answers, this is okay.

You should use these questions for thinking more broadly about human experience and the human condition.

Step 2: Engaging Critically

When you engage critically, you read or view your text with a view to a particular set of ideas and beliefs.

Sometimes this gets called “a reading.” When you engage in this practice, you are trying to consider the text through a particular set of ideas or values to see how it represents them.

Some things that you may be asked to read texts for include:

• Power – A reading that considers how the relationships between individuals work. Do some characters have more power and agency than others? What is the basis for this imbalance? Age? race? Culture? Gender? Wealth? Education?
• Gender – This sort of reading will explore how gender is portrayed. Does the text have a focus on one sex over the other? Are there particular ideas or values of gender being presented or explored in the text? How do these stack up with your values and attitudes, or those of our context?
• Race and culture – A reading that explores representations of race and culture. Are there particular values around race or culture presented in the text? Does the text reinforce stereotypes or challenge them? Is it conveying ideas that are relevant to your context by challenging or endorsing them?
• Political and economic – A reading that explores particular political, ideological, or economic beliefs in a text. Texts can be a vehicle for political concerns or ideologies. Some texts, such as Ayn Rand’s  The Fountainhead espouse a pro-capitalist, libertarian world view. Others, such as JK Rowling’s Harry Potter series present strong arguments against totalitarianism and censorship (think about Dolores Umbridge’s role in censoring the news). When you analyse texts for these concerns you need to look for how these ideas may be present in particular moments, relations, or events in a text.

Critical engagement will force you to draw upon a wide array of knowledge and research different sources. One of the difficulties students face when studying English is coming to terms with the lack of limits to what can be explored. As English is a study of art and art is a process of representing human experience, the idea that you need to have an understanding of the totality of human experience can be overwhelming and disheartening.

Rather than panicking about having to learn huge amounts of information, students should approach English as a way to gain this information.

Year 9 is a crucial year for developing the background and foundational understanding of the world to think about the more complex texts and ideas you will face in Years 11 and 12. A consistent habit of reading from a variety of genres and text types will help you develop this knowledge!

Step 3: Engaging personally

Engaging personally means more than just deciding whether you like or dislike a text.

In Year 9, it is important that you start connecting your experience of a text to your own experiences and beliefs.

When you take this approach to engaging emotionally and personally to your text you should consider:

• How you identify with situations, ideas, or characters within the text. Can you relate to these things, or not? Why?
• Does the text and its subject matter inspire you to discuss it with friends? Do you discuss its construction, ideas, or plot? Why
• Are there any particular aesthetic qualities (elements that you find beautiful or horrible in the text)? What are they? Why do they stand out to you?
• Do you value the text? Do you think it is an important text? is it a text you would voluntarily return to? Why or why not?

These questions may seem broad, but asking yourself them will help you develop your understanding of the text by analysing your response to it.

You should make notes as you go through this process. Adding this information to the notes you’ve already developed as you go through the process of textual analysis will give them depth and insight.

We’ve covered quite a lot in this article. So, here is a summary of how to do each of your readings

Analysing texts, a summary!

Read or view your text at least three times.

First readings – the big picture

• Enjoy the text!
• Pay attention to characters
• Pay attention to plot
• Try and identify themes

Second readings – looking at chapters and scenes

• Pay attention to key scenes and chapters
• Consider how characters are developed
• Consider how the structure of the text develops the plot
• Connect the development of themes to key scenes
• Identify consistent motifs and symbols
• Make a list of key or crucial moments
• Make notes on themes, characters, and structure

Third readings – unpacking details

• Return to the key moments in the text
• Analyse how meaning is developed
• Connect the meaning in key moments to the text as a whole
• Consider how the ideas and representations in the text connect to your experience
• Ask how the text resonates and compares to other texts
• Make detailed notes

If you need to learn about context, genre, or higher order techniques, read Part 2 of our Beginner’s Guide to Year 10 English: Textual Analysis in Year 10 .

Now you’ve got the basics, let’s get into detail!

Now we’ve explained the process for textual analysis, we’re going to give you some step-by-step guides for analysing specific text types:

• Prose fiction
• Shakespeare
• Prose non-fiction
• Images and visual texts

First up, we’re going to look at how to Analyse Prose Fiction.

Part 3: How to Analyse Prose Fiction

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• College essay

How to Write a College Essay | A Complete Guide & Examples

The college essay can make or break your application. It’s your chance to provide personal context, communicate your values and qualities, and set yourself apart from other students.

A standout essay has a few key ingredients:

• A unique, personal topic
• A compelling, well-structured narrative
• A clear, creative writing style
• Evidence of self-reflection and insight

To achieve this, it’s crucial to give yourself enough time for brainstorming, writing, revision, and feedback.

In this comprehensive guide, we walk you through every step in the process of writing a college admissions essay.

Table of contents

Why do you need a standout essay, start organizing early, choose a unique topic, outline your essay, start with a memorable introduction, write like an artist, craft a strong conclusion, revise and receive feedback, frequently asked questions.

While most of your application lists your academic achievements, your college admissions essay is your opportunity to share who you are and why you’d be a good addition to the university.

Your college admissions essay accounts for about 25% of your application’s total weight一and may account for even more with some colleges making the SAT and ACT tests optional. The college admissions essay may be the deciding factor in your application, especially for competitive schools where most applicants have exceptional grades, test scores, and extracurriculars.

What do colleges look for in an essay?

Admissions officers want to understand your background, personality, and values to get a fuller picture of you beyond your test scores and grades. Here’s what colleges look for in an essay :

• Demonstrated values and qualities
• Vulnerability and authenticity
• Self-reflection and insight
• Creative, clear, and concise writing skills

Prevent plagiarism. Run a free check.

It’s a good idea to start organizing your college application timeline in the summer of your junior year to make your application process easier. This will give you ample time for essay brainstorming, writing, revision, and feedback.

While timelines will vary for each student, aim to spend at least 1–3 weeks brainstorming and writing your first draft and at least 2–4 weeks revising across multiple drafts. Remember to leave enough time for breaks in between each writing and editing stage.

Create an essay tracker sheet

If you’re applying to multiple schools, you will have to juggle writing several essays for each one. We recommend using an essay tracker spreadsheet to help you visualize and organize the following:

• Deadlines and number of essays needed
• Prompt overlap, allowing you to write one essay for similar prompts

You can build your own essay tracker using our free Google Sheets template.

College essay tracker template

Ideally, you should start brainstorming college essay topics the summer before your senior year. Keep in mind that it’s easier to write a standout essay with a unique topic.

If you want to write about a common essay topic, such as a sports injury or volunteer work overseas, think carefully about how you can make it unique and personal. You’ll need to demonstrate deep insight and write your story in an original way to differentiate it from similar essays.

What makes a good topic?

• Meaningful and personal to you
• Uncommon or has an unusual angle
• Reveals something different from the rest of your application

Brainstorming questions

You should do a comprehensive brainstorm before choosing your topic. Here are a few questions to get started:

• What are your top five values? What lived experiences demonstrate these values?
• What adjectives would your friends and family use to describe you?
• What challenges or failures have you faced and overcome? What lessons did you learn from them?
• What makes you different from your classmates?
• What are some objects that represent your identity, your community, your relationships, your passions, or your goals?
• Whom do you admire most? Why?
• What three people have significantly impacted your life? How did they influence you?

How to identify your topic

Here are two strategies for identifying a topic that demonstrates your values:

• Start with your qualities : First, identify positive qualities about yourself; then, brainstorm stories that demonstrate these qualities.
• Start with a story : Brainstorm a list of memorable life moments; then, identify a value shown in each story.

After choosing your topic, organize your ideas in an essay outline , which will help keep you focused while writing. Unlike a five-paragraph academic essay, there’s no set structure for a college admissions essay. You can take a more creative approach, using storytelling techniques to shape your essay.

Two common approaches are to structure your essay as a series of vignettes or as a single narrative.

Vignettes structure

The vignette, or montage, structure weaves together several stories united by a common theme. Each story should demonstrate one of your values or qualities and conclude with an insight or future outlook.

This structure gives the admissions officer glimpses into your personality, background, and identity, and shows how your qualities appear in different areas of your life.

Topic: Museum with a “five senses” exhibit of my experiences

• Introduction: Tour guide introduces my museum and my “Making Sense of My Heritage” exhibit
• Story: Racial discrimination with my eyes
• Lesson: Using my writing to document truth
• Story: Broadway musical interests
• Lesson: Finding my voice
• Story: Smells from family dinner table
• Lesson: Appreciating home and family
• Story: Washing dishes
• Lesson: Finding moments of peace in busy schedule
• Story: Biking with Ava
• Lesson: Finding pleasure in job well done
• Conclusion: Tour guide concludes tour, invites guest to come back for “fall College Collection,” featuring my search for identity and learning.

Single story structure

The single story, or narrative, structure uses a chronological narrative to show a student’s character development over time. Some narrative essays detail moments in a relatively brief event, while others narrate a longer journey spanning months or years.

Single story essays are effective if you have overcome a significant challenge or want to demonstrate personal development.

Topic: Sports injury helps me learn to be a better student and person

• Situation: Football injury
• Challenge: Friends distant, teachers don’t know how to help, football is gone for me
• Turning point: Starting to like learning in Ms. Brady’s history class; meeting Christina and her friends
• My reactions: Reading poetry; finding shared interest in poetry with Christina; spending more time studying and with people different from me
• Insight: They taught me compassion and opened my eyes to a different lifestyle; even though I still can’t play football, I’m starting a new game

Brainstorm creative insights or story arcs

Regardless of your essay’s structure, try to craft a surprising story arc or original insights, especially if you’re writing about a common topic.

Never exaggerate or fabricate facts about yourself to seem interesting. However, try finding connections in your life that deviate from cliché storylines and lessons.

Admissions officers read thousands of essays each year, and they typically spend only a few minutes reading each one. To get your message across, your introduction , or hook, needs to grab the reader’s attention and compel them to read more..

Avoid starting your introduction with a famous quote, cliché, or reference to the essay itself (“While I sat down to write this essay…”).

While you can sometimes use dialogue or a meaningful quotation from a close family member or friend, make sure it encapsulates your essay’s overall theme.

Find an original, creative way of starting your essay using the following two methods.

Option 1: Start with an intriguing hook

Begin your essay with an unexpected statement to pique the reader’s curiosity and compel them to carefully read your essay. A mysterious introduction disarms the reader’s expectations and introduces questions that can only be answered by reading more.

Option 2: Start with vivid imagery

Illustrate a clear, detailed image to immediately transport your reader into your memory. You can start in the middle of an important scene or describe an object that conveys your essay’s theme.

A college application essay allows you to be creative in your style and tone. As you draft your essay, try to use interesting language to enliven your story and stand out .

Show, don’t tell

“Tell” in writing means to simply state a fact: “I am a basketball player.” “ Show ” in writing means to use details, examples, and vivid imagery to help the reader easily visualize your memory: “My heart races as I set up to shoot一two seconds, one second一and score a three-pointer!”

First, reflect on every detail of a specific image or scene to recall the most memorable aspects.

• What are the most prominent images?
• Are there any particular sounds, smells, or tastes associated with this memory?
• What emotion or physical feeling did you have at that time?

Be vulnerable to create an emotional response

You don’t have to share a huge secret or traumatic story, but you should dig deep to express your honest feelings, thoughts, and experiences to evoke an emotional response. Showing vulnerability demonstrates humility and maturity. However, don’t exaggerate to gain sympathy.

Use appropriate style and tone

Make sure your essay has the right style and tone by following these guidelines:

• Use a conversational yet respectful tone: less formal than academic writing, but more formal than texting your friends.
• Prioritize using “I” statements to highlight your perspective.
• Write within your vocabulary range to maintain an authentic voice.
• Write concisely, and use the active voice to keep a fast pace.
• Follow grammar rules (unless you have valid stylistic reasons for breaking them).

You should end your college essay with a deep insight or creative ending to leave the reader with a strong final impression. Your college admissions essay should avoid the following:

• Summarizing what you already wrote
• Stating your hope of being accepted to the school
• Mentioning character traits that should have been illustrated in the essay, such as “I’m a hard worker”

Here are two strategies to craft a strong conclusion.

Option 1: Full circle, sandwich structure

The full circle, or sandwich, structure concludes the essay with an image, idea, or story mentioned in the introduction. This strategy gives the reader a strong sense of closure.

In the example below, the essay concludes by returning to the “museum” metaphor that the writer opened with.

Option 2: Revealing your insight

You can use the conclusion to show the insight you gained as a result of the experiences you’ve described. Revealing your main message at the end creates suspense and keeps the takeaway at the forefront of your reader’s mind.

Revise your essay before submitting it to check its content, style, and grammar. Get feedback from no more than two or three people.

It’s normal to go through several rounds of revision, but take breaks between each editing stage.

Also check out our college essay examples to see what does and doesn’t work in an essay and the kinds of changes you can make to improve yours.

Respect the word count

Most schools specify a word count for each essay , and you should stay within 10% of the upper limit.

Remain under the specified word count limit to show you can write concisely and follow directions. However, don’t write too little, which may imply that you are unwilling or unable to write a thoughtful and developed essay.

Check your content, style, and grammar

• First, check big-picture issues of message, flow, and clarity.
• Then, check for style and tone issues.
• Finally, focus on eliminating grammar and punctuation errors.

Get feedback

Get feedback from 2–3 people who know you well, have good writing skills, and are familiar with college essays.

• Teachers and guidance counselors can help you check your content, language, and tone.
• Friends and family can check for authenticity.
• An essay coach or editor has specialized knowledge of college admissions essays and can give objective expert feedback.

The checklist below helps you make sure your essay ticks all the boxes.

College admissions essay checklist

I’ve organized my essay prompts and created an essay writing schedule.

I’ve done a comprehensive brainstorm for essay topics.

I’ve selected a topic that’s meaningful to me and reveals something different from the rest of my application.

I’ve created an outline to guide my structure.

I’ve crafted an introduction containing vivid imagery or an intriguing hook that grabs the reader’s attention.

I’ve written my essay in a way that shows instead of telling.

I’ve shown positive traits and values in my essay.

I’ve demonstrated self-reflection and insight in my essay.

I’ve used appropriate style and tone .

I’ve concluded with an insight or a creative ending.

I’ve revised my essay , checking my overall message, flow, clarity, and grammar.

I’ve respected the word count , remaining within 10% of the upper word limit.

Congratulations!

It looks like your essay ticks all the boxes. A second pair of eyes can help you take it to the next level – Scribbr's essay coaches can help.

Colleges want to be able to differentiate students who seem similar on paper. In the college application essay , they’re looking for a way to understand each applicant’s unique personality and experiences.

Your college essay accounts for about 25% of your application’s weight. It may be the deciding factor in whether you’re accepted, especially for competitive schools where most applicants have exceptional grades, test scores, and extracurricular track records.

A standout college essay has several key ingredients:

• A unique, personally meaningful topic
• A memorable introduction with vivid imagery or an intriguing hook
• Specific stories and language that show instead of telling
• Vulnerability that’s authentic but not aimed at soliciting sympathy
• Clear writing in an appropriate style and tone
• A conclusion that offers deep insight or a creative ending

While timelines will differ depending on the student, plan on spending at least 1–3 weeks brainstorming and writing the first draft of your college admissions essay , and at least 2–4 weeks revising across multiple drafts. Don’t forget to save enough time for breaks between each writing and editing stage.

You should already begin thinking about your essay the summer before your senior year so that you have plenty of time to try out different topics and get feedback on what works.

Most college application portals specify a word count range for your essay, and you should stay within 10% of the upper limit to write a developed and thoughtful essay.

You should aim to stay under the specified word count limit to show you can follow directions and write concisely. However, don’t write too little, as it may seem like you are unwilling or unable to write a detailed and insightful narrative about yourself.

If no word count is specified, we advise keeping your essay between 400 and 600 words.

Is this article helpful?

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• How to End a College Admissions Essay | 4 Winning Strategies
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The ultimate guide to writing Discursive for year 11's Reading to Write

Want to know what a top-scoring Year 11 reading-to-write module discursive piece looks like? Keep reading for our ultimate guide to writing the ✨perfect✨ discursive.

2 days ago   •   4 min read

About The ‘Reading to Write’ Module 

The Year 11 ‘Reading to Write’ module aims to enhance students’ reading and writing skills. It’s part of the common curriculum, meaning it’s studied by both Standard and Advanced English. The module has a few main requirements, including: 

• Textual Analysis: Students will closely examine a diverse range of texts, including prose fiction, films, and multimodal works that blend different media. The objective is to understand how these texts convey ideas, relationships, and narratives, allowing students to appreciate the factors of storytelling.
• Creative Writing : This involves crafting narratives that reflect the themes, styles, or techniques of the texts studied. Students are encouraged to experiment with various narrative forms, such as monologues, letters, or diary entries. It forms an outlet for creativity and personal expression!
• Diverse Writing Formats : Versatility in writing is important, so students will be tasked with producing different types of writing, including essays, speeches, and reflective pieces. This variety helps develop a comprehensive understanding of how to write effectively for different audiences and purposes.
• Technical Writing Skills : This is relevant to all the other factors, and includes grammar, structure, and style. This allows for clear and effective communication, particularly if you’re trying to convey a certain message through a creative piece. 
• Assessment tasks : This has both analytical and creative components – it’s about understanding the texts, but also applying knowledge of writing.

What is a Discursive?

Discursive writing is one of the main text types studied in English, and it allows writers to explore various ideas and topics in a balanced way. At its core, discursive writing is about exploration. It involves discussing ideas or opinions without pushing a specific agenda. You’ll often find this style in feature articles, personal essays, and speeches. It can take on various tones, from humorous to serious, and can be formal or informal – it’s up to you!

Discursive texts have several key features, like: 

• An Exploration of Ideas : Discursive texts look at a topic from different angles. This allows for a richer understanding of the subject and invites readers to consider various viewpoints.
• No Persuasion : Unlike argumentative writing, which aims to convince the reader of a particular stance, discursive writing presents information and perspectives without bias. It’s about opening up a discussion rather than closing it off.
• Personal Voice : Writers can incorporate their own experiences and insights, making the text relatable and engaging. This personal touch can include anecdotes, humour, and other literary devices that draw readers in.
• Flexible Structure : There are no strict rules governing the structure of a discursive text. Writers have the freedom to organise their ideas in a way that best suits their exploration of the topic, allowing for creativity in presentation.

Discursive writing stands out from other text types in several ways. Unlike argumentative writing, which seeks to persuade readers to adopt a specific viewpoint through strong evidence, discursive writing explores multiple perspectives on a topic without favouring one side. In contrast to descriptive writing, which creates vivid imagery and sensory details, discursive writing focuses on discussing ideas and opinions. Additionally, while narrative writing follows a clear structure with characters and plot development, discursive writing allows for a more fluid exploration of concepts, often lacking a traditional beginning, middle, or end.

The Features of a Great Discursive 

• In-depth Exploration : A solid discursive text really digs into a topic. Instead of just pushing one viewpoint, it looks at different angles, which gets readers thinking critically.
• Balanced Tone : It strikes a nice balance in tone. Whether it’s serious or a bit humorous, the right tone helps keep the discussion engaging and relatable.
• Personal Voice : Adding your personal touch is key! Using anecdotes, figurative language, and a bit of flair makes the writing more interesting and helps connect with readers.
• Clear Structure : While you have some freedom in how you organise your ideas, a good discursive text still benefits from a clear structure. Think of it like having a roadmap: an intro, body, and conclusion help guide the reader through your thoughts.
• Engaging Introduction : Start strong! Your introduction should grab attention and lay out what you’re going to explore, setting the stage for the discussion ahead.
• Well-Organised Body : The body is where you present different arguments and counterarguments. Make sure to back them up with evidence or personal insights to keep things balanced.

Want more personalised advice on your own discursive piece?

Get your discursive marked and returned with feedback by Australia’s top English scorers!

What structure should a good discursive text have?

A well-structured discursive text typically follows this format:

• Paragraph 1: Introduction – Start with an engaging introduction that outlines the topic and sets the stage for the discussion.
• Paragraph 2: Perspective 1 – Present the first perspective on the topic. This is where you can delve into the arguments and evidence supporting this viewpoint.
• Paragraph 3: Perspective 2 – Introduce a contrasting perspective, exploring the arguments and evidence that support this side of the discussion.
• Paragraph 4: Personal Anecdote  – Here’s where you can weave in your personal anecdote! Use it to illustrate a point or connect with the overall theme of your discussion, helping to make the topic more relatable.
• Paragraph 5: Conclusion – Wrap things up with a thoughtful conclusion that reflects on the discussion and leaves your readers with something to think about.

This structure helps create a clear and engaging flow!

Where do I put my personal anecdote?

Your personal anecdote can fit perfectly around the fourth paragraph, or the body of your discursive, right after you’ve presented the different perspectives. That being said, there is no rigid structure for discursive texts; some prefer including the anecdote towards the beginning, within the introduction! Mainly try to prioritise that it flows naturally within the context of the arguments you’ve presented. 

How do I choose a topic for my discursive text?

Choosing a topic is a crucial first step! Look for subjects that are relevant, interesting, and have multiple viewpoints. Think about current events, social issues, or even personal experiences that can spark discussion. It’s helpful to pick a topic you’re genuinely curious about, as this enthusiasm will come through in your writing. Once you have a few ideas, consider the different perspectives you can explore- – make sure there are at least two sides to consider.

Want more personalized study guidance to help drastically improve your marks? A private tutor can make the biggest difference!

Written by KIS Academics Tutor for HSC English Advanced, Cherie Tran. Cherie is currently pursuing a Bachelor of Laws/Bachelor of Communications (majoring in Social and Political Sciences) at UTS, and has received stellar reviews from her past KIS Academics students. You can view Cherie’s profile here and request her as a tutor. 

• HSC English

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